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F. B. Pinion thought it "a remarkable achievement, light and engaging throughout", [29] and Mary Moorman rated it as one of Wordsworth's best poems. [30] "Yarrow Unvisited" has had a perceptible influence on 20th-century literature.
She was born Mary Caroline Trevelyan, the daughter of the renowned Cambridge historian G. M. Trevelyan. She studied at Somerville College, Oxford. In 1930, she published William III and the Defence of Holland, 1672-44. That same year, she married John Moorman, an Anglican cleric who rose to become the Bishop of Ripon.
Poems of Sentiment and Reflection.(1815–43); Poems written in Youth(1845) 1798 The Reverie of Poor Susan 1797 Former title: Bore the title of "Poor Susan" from 1800–1805 "At the corner of Wood Street, when daylight appears," Poems of the Imagination: 1800 When Love was born of heavenly line 1795 "When Love was born of heavenly line,"
In addition, Mary Moorman includes "Expostulation and Reply" and its companion, "The Tables Turned" as part of the series, [6] and states that lines of "Address to the Scholars of the Village School of —" overlaps with the lines of two Matthew poems that were not published while Wordsworth was alive. [7]
Mary Moorman, William Wordsworth: A Biography: The Later Years, 1803–1850 v. 2, Oxford University Press, 1965, ISBN 978-0198116172 M. R. Tewari, One Interior Life—A Study of the Nature of Wordsworth's Poetic Experience (New Delhi: S. Chand & Company Ltd, 1983)
The beginning of the poem, according to Wordsworth biographer Mary Moorman, depicts a "creative sleep of the senses when the 'soul' and imagination are most alive." [6] This idea appears in other poems by Wordsworth, including Tintern Abbey. [6] The space between stanza one and stanza two depicts a transition of Lucy from life into death.
In the view of one Wordsworth biographer, Mary Moorman (1906–1994), "The identity of 'Lucy' has been the problem of critics for many years. But Wordsworth is a poet before he is a biographer, and neither 'Lucy' nor her home nor his relations with her are necessarily in the strict sense historical.
In it Wordsworth discusses what he sees as the elements of a new type of poetry, one based on the "real language of men", and which avoids the poetic diction of much 18th-century poetry. Here, Wordsworth gives his famous definition of poetry, as "the spontaneous overflow of powerful feelings" which "takes its origin from emotion recollected in ...