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A major feature of the blues scale is the use of blue notes—notes that are played or sung microtonally, at a slightly higher or lower pitch than standard. [5] However, since blue notes are considered alternative inflections, a blues scale may be considered to not fit the traditional definition of a scale. [6]
Blues scale on C. Play ⓘ 1 ♭ 3 4 ♭ 5 ... A free Android app with scales & building chords for the scales; A Study Of Scales This page was last edited on 9 ...
Employing both the blues scale and distortion, it ushered in the era of blues rock guitar of Eric Clapton, Jimi Hendrix and Stevie Ray Vaughan. The early incarnation of Fleetwood Mac with bandleader Peter Green achieved number one chart positions with the guitar-based instrumental "Albatross" in February 1969.
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]
The blues scale is so named for its use of blue notes. Since blue notes are alternate inflections, strictly speaking there can be no one blues scale, [8] but the scale most commonly called "the blues scale" comprises the minor pentatonic scale and an additional flat 5th scale degree: C E ♭ F G ♭ G B ♭ C. [9] [10] [11]
Two pentatonic scales common to jazz are the major pentatonic scale and the minor pentatonic scale. They are both modes of one another. The major pentatonic scale begins with a major scale and omits the fourth and the seventh scale degrees. The minor pentatonic scale uses the same notes as the major pentatonic scale, but begins on the sixth ...
Modal jazz is jazz that makes use of musical modes, often modulating among them to accompany the chords instead of relying on one tonal center used across the piece.. Though exerting influence to the present, modal jazz was most popular in the 1950s and 1960s, as evidenced by the success of Miles Davis's 1958 composition "Milestones" and 1959 album Kind of Blue, and John Coltrane's quartet ...
"Charleston" rhythm, simple rhythm commonly used in comping. [1] Play example ⓘ. In jazz, comping (an abbreviation of accompaniment; [2] or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's improvised solo or melody lines.