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In the early 1960s, Rauschenberg's Combines sold from $400 to $7,500. [3] In 1999, the Museum of Modern Art, which had balked at buying Rauschenberg's work decades earlier, spent $12 million to buy his Factum II, made in 1957. [14] Rauschenberg's Rebus was valued in 1991 at $7.3 million. [15]
Milton Ernest "Robert" Rauschenberg (October 22, 1925 – May 12, 2008) was an American painter and graphic artist whose early works anticipated the Pop art movement. . Rauschenberg is well known for his Combines (1954–1964), a group of artworks which incorporated everyday objects as art materials and which blurred the distinctions between painting and s
Monogram is a Combine by American artist Robert Rauschenberg, made between 1955 and 1959. [1] It consists of a stuffed Angora goat with its midsection passing through an automobile tire . [ 2 ] Critic Jorg von Uthmann described it as Rauschenberg's most famous work in the Huffington Post. [ 3 ]
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Rauschenberg’s ‘Caryatid Cavalcade I’ from Roci Chile, 1985 (silkscreen ink, acrylic, and graphite on canvas) is part of the new exhibition exhibition (Eva Herzog/Thaddaeus Ropac Gallery)
Canyon is a 1959 artwork by American artist Robert Rauschenberg. [1] [2] The piece is one of his most celebrated and best known works, [3] and is one of his Combines. Rauschenberg coined the phrase Combine in 1954 to describe his artworks that incorporate elements of both sculpture and painting.
Reservoir is a 1961 painting by American artist Robert Rauschenberg. [1] The work is one of his Combines, which incorporate both two- and three-dimensional found, non-art materials, using objects Rauschenberg collected from the streets of his lower Manhattan neighborhood. [2]