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The swing era of jazz reached its peak in the 1930s, where the trombone was then popular. In a standard swing band there were 5 saxophones, 4 trumpets, 3 or 4 trombones and a rhythm section. This is when trombone started to stand out as a solo instrument, with players such as Jack Teagarden. Characteristic of the Teagarden style of trombone ...
Pages in category "Free jazz trombonists" The following 10 pages are in this category, out of 10 total. This list may not reflect recent changes. B. Conny Bauer;
The boom in great science fiction movies makes it impossible to share all the truly great ones, so we worked on a list of 20, which includes several franchises. Ahead, the best sci-fi cinema you ...
He is artist-in-residence for the Conn-Selmer company, maker of the King Jiggs Whigham model trombone. He continues to tour worldwide as soloist, conductor, and educator. Since 2008 he has been a regular musical director for the Bundesjazzorchester working with the top student jazz musicians in Germany. Jiggs Whigham and the U.S. Navy Band
He began on trombone at age nine, and played in the Midland Youth Jazz Orchestra and the National Youth Jazz Orchestra in his teens. [1] He attended Trinity College of Music from 1985 to 1988. His first band as leader was a trombone quintet called Bonestructure and he has gone on to front various sized groups from quartets and quintets to a Big ...
Pages in category "American jazz trombonists" The following 200 pages are in this category, out of approximately 284 total. This list may not reflect recent changes .
The Superbone can be played as a slide trombone, a valve trombone, or in combination. Using the slide and valves in combination requires the slide positions to be adjusted, just as when using the trigger of an F attachment on a tenor or bass trombone. Using the slide with the first and third valves engaged has the same effect as using an F ...
Dennis was known for his extremely fast articulation on the trombone, obtained by means of varying the natural harmonics of the instrument with minimal recourse to the slide (a technique known as "crossing the grain"), [6] for instance, during his improvised solo on a performance of "Chuggin'" with the Gerry Mulligan Concert Band.