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The crossed out copyright symbol with a musical note on the right hand side is the free music symbol, signifying a lack of copyright restrictions on music. It may be used in the abstract, or applied to a sound recording or musical composition.
The Norwegian copyright act does not address public domain directly. The Norwegian copyright law defines two basic rights for authors: economic rights and moral rights. [..] For material that is outside the scope of copyright, the phrase «i det fri» («in the free») is used. This corresponds roughly to the term «public domain» in English.
PRS for Music administers the performance rights and mechanical rights of about 41 million [3] musical works on behalf of its songwriters, composers and publishing members and in 2018 processed over 11.1 trillion uses of music.
Critics of the CTEA argue that it was never the original intention for copyright protection to be extended in the United States. Attorney Jenny L. Dixon mentions that "the United States has always viewed copyright primarily as a vehicle for achieving social benefit based on the belief that encouragement of individual effort by personal gain is the best way to advance the public welfare;" [24 ...
The record was first released in France in 1958 through Fontana Records.It became available in the US via import by September 1959. [7] It was subsequently released in the US by Columbia Records, as side one of the album Jazz Track, with the second side filled by three new tracks recorded with his regular sextet (later to be re-released on the 1958 Miles CD).
Erza [3] was born on () 21 September 2005 (age 19) [4] in Sarreguemines, Moselle, Lorraine. [5] Her parents are from Kosovo. [6] She has two older sisters and a brother. She was a contestant in La France a un incroyable talent where she notably sang "Papaoutai" by Stromae in her first audition, "Éblouie par la nuit" by Raphaël Haroche in the semi-final, and "La Vie en rose" by Édith Piaf in ...
Tous les matins du monde (English: "All The Mornings of The World") [1] is a 1991 French film based on the book of the same name by Pascal Quignard. [2] Set during the reign of Louis XIV, the film shows the musician Marin Marais looking back on his young life when he was briefly a pupil of Monsieur de Sainte-Colombe, [2] and features much music of the period, especially that for the viola da ...