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Preliminary discourse on tragedy, epic poetry, and comedy, as the chief forms of imitative poetry. Definition of a tragedy, and the rules for its construction. Definition and analysis into qualitative parts. Rules for the construction of a tragedy: Tragic pleasure, or catharsis experienced by fear and pity should be produced in the spectator ...
Aristotle's proscriptive analysis of tragedy, for example, as expressed in his Rhetoric and Poetics, saw it as having 6 parts (music, diction, plot, character, thought, and spectacle) working together in particular ways. Thus, Aristotle established one of the earliest delineations of the elements that define genre.
Byron and Shelley, as well as a host of lesser figures, devoted much time to the closet drama, in a signal that the verse tragedy was already in a state of obsolescence. That is, while poets of the eighteenth century could write so-so poetic dramas, the public taste for new examples was already moving away by the start of the nineteenth century ...
The lyric includes all the shorter forms of poetry e.g., song, ode, ballad, elegy, sonnet. [9] Dramatic poetry might include comedy, tragedy, melodrama, and mixtures like tragicomedy. The standard division of drama into tragedy and comedy derives from Greek drama. [9] This division into subgenres can continue: comedy has its own subgenres ...
Tragicomedy, as its name implies, invokes the intended response of both the tragedy and the comedy in the audience, the former being a genre based on human suffering that invokes an accompanying catharsis and the latter being a genre intended to be humorous or amusing by inducing laughter.
(Drama is considered a form of poetry here because both tragedy and comedy were written in verse in ancient Greece.) [2] Culturally, Greek lyric is the product of the political, social and intellectual milieu of the Greek polis ("city-state"). [3]
Dramatic monologue is a type of poetry written in the form of a speech of an individual character. M.H. Abrams notes the following three features of the dramatic monologue as it applies to poetry: The single person, who is patently not the poet, utters the speech that makes up the whole of the poem, in a specific situation at a critical moment
Classical poetry movement echoes the forms and values of classical ancient Greek and Latin literature, favouring formal, restrained forms. Major dramatist and other genres figures include Pierre Corneille , Molière , Jean Racine , John Dryden , William Wycherley , William Congreve , and Joseph Addison .