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Hamlet: Prince Hamlet is the central character of Hamlet. He is a prince of Denmark, called on to avenge his father's (Old Hamlet's) murder by Claudius. Old Hamlet is the father of the protagonist in Hamlet. His ghost appears to exhort Hamlet to revenge Old Hamlet's murder by Claudius. Harcourt is a messenger to the king in Henry IV, Part 2.
What follows is an overview of the main characters in William Shakespeare's Hamlet, followed by a list and summary of the minor characters from the play. [1] Three different early versions of the play survive: known as the First Quarto ("Q1"), Second Quarto ("Q2"), and First Folio ("F1"), each has lines—and even scenes—missing in the others, and some character names vary.
Ophelia (/ oʊ ˈ f iː l i ə /) is a character in William Shakespeare's drama Hamlet (1599–1601). She is a young noblewoman of Denmark, the daughter of Polonius, sister of Laertes and potential wife of Prince Hamlet. Due to Hamlet's actions, Ophelia ultimately enters into a state of madness that leads to her drowning.
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Sir John Falstaff is a fictional character who appears in three plays by William Shakespeare and is eulogised in a fourth. His significance as a fully developed character is primarily formed in the plays Henry IV, Part 1 and Part 2, where he is a companion to Prince Hal, the future King Henry V of England.
Prince Hamlet is the title character and protagonist of William Shakespeare's tragedy Hamlet (1599–1601). He is the Prince of Denmark , nephew to the usurping Claudius , and son of King Hamlet , the previous King of Denmark .
He states, "Shakespeare's Hamlet... is a play dealing with the effect of a mother's guilt upon her son." [ 5 ] In 1924, the social reformer Lillie Buffum Chace Wyman published a study, Gertrude of Denmark: An Interpretive Romance , an early attempt to give Gertrude's own perspective on her life and the events of the play.
As agents of the corruption infecting the court, Rosencrantz and Guildenstern contribute to setting up the confrontation between Hamlet and Claudius. [1] Shakespeare expects the audience to appreciate the poetic justice of their deaths: [1] while they are very likely ignorant of the deadly contents of the letter they carry to England and are ...