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In 1985, Bland's album Members Only on Malaco reached number 45 on Billboard's R&B albums chart, and the title song reached number 54 for R&B singles. It was his last chart single, and became Bland's signature song for the rest of his career. Bland was inducted into the Rock and Roll Hall of Fame in 1992. The Rock and Roll Hall of Fame ...
Bobby Bland and B. B. King Together Again...Live is a live album recorded in 1976 at the Coconut Grove in Los Angeles by Bobby Bland and B. B. King. Professional ratings Review scores
"Stormy Monday" became Walker's best-known and most-recorded song. In 1961, Bobby "Blue" Bland further popularized the song with an appearance in the pop record charts. Bland introduced a new arrangement with chord substitutions, which was later used in many subsequent renditions. His version also incorrectly used the title "Stormy Monday Blues ...
Memphis Monday Morning is an album by the American musician Bobby "Blue" Bland, released in 1998. [1] [2] Bland supported the album with North American club dates. [3] It entered the Top Blues Albums chart at No. 14. [4] The album was nominated for a Grammy Award for best traditional blues album, as well as a W. C. Handy Award for best soul ...
According to Melvin Jackson, who also played in Bland's band, "Joe Scott was the man who created the big horn sound for blues bands." [6] He moved back to Los Angeles, California in the 1970s with his wife and children where he was originally raised after Texas. Scott died in Culver City, California, in March 1979, aged 54. [1]
"I Pity the Fool" is a soul blues song originally recorded by Bobby Bland in 1961 for his first Duke Records album, Two Steps from the Blues. Many music writers believe that it was written by Joe Medwick, [2] although Duke owner Don Robey (using the pseudonym "Deadric Malone") appears on the songwriting credits.
Sad Street was produced by Wolf Stephenson and Tommy Couch. [6] It was recorded with the Muscle Shoals house band; string arrangements were done in Miami, Florida. [7] [8] The title song was written by George Jackson, with many others provided by the songwriting partnership of Sam Mosley and Robert Johnson.
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