Search results
Results From The WOW.Com Content Network
Theatrical styles are influenced by their time and place, artistic and other social structures, and the individual styles of the particular artists. As theater is a mongrel art form, a production may or may not have stylistic integrity with regard to script, acting, direction, design, music, and venue.
Each new performance of a theatrical pieces is a new Gestalt, a unique spectacle, with no intent on methodically repeating a play. The audience is integral to the shared meaning-making of the performance process and its members are included in the dialogue of the play. [1] There is a rejection of the notions of "High" and "Low" art. [1]
Historic Outdoor Forest Theater in Carmel, California, at sunset. The following outline is provided as an overview of and topical guide to theatre: . Theatre – the generic term for the performing arts and a usually collaborative form of fine art involving live performers to present the experience of a real or imagined event (such as a story) through acting, singing, and/or dancing before a ...
The Moscow Art Theatre's ground-breaking productions of plays by Chekhov, such as Uncle Vanya and The Cherry Orchard, in turn influenced Maxim Gorky and Mikhail Bulgakov. Stanislavski went on to develop his 'system', a form of actor training that is particularly well-suited to psychological realism.
The theatre of ancient Rome was a thriving and diverse art form, ranging from festival performances of street theatre, nude dancing, and acrobatics, to the staging of Plautus's broadly appealing situation comedies, to the high-style, verbally elaborate tragedies of Seneca.
The actor behaves as if a fourth wall was present, which maintains an absolute autonomy of the dramatic fiction from the reality of the theatre. Robert Weimann argues that: Each of these theatrical practices draws upon a different register of imaginary appeal and "puissance" and each serves a different purpose of playing. While the former ...
Epic theatre and its many forms is a response to Richard Wagner's idea of "Gesamtkunstwerk", or "total artwork", which intends each piece of art to be composed of other art forms. [ 7 ] [ 8 ] Since epic theatre is so focused on the specific relationship between form and content, these two ideas contradict each other, despite the fact that ...
The Theatre of Cruelty (French: Théâtre de la Cruauté, also Théâtre cruel) is a form of theatre conceptualised by Antonin Artaud. Artaud, who was briefly a member of the surrealist movement , outlined his theories in a series of essays and letters, which were collected as The Theatre and Its Double .