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Oswaldo Guayasamín won first prize at the Ecuadorian Salón Nacional de Acuarelistas y Dibujantes in 1948. He also won the first prize at the Third Hispano-American Biennial of Art in Barcelona in 1955. In 1957, at the Fourth Biennial of São Paulo, he was named the best South American painter.
The painter Oswaldo Guayasamín's La Capilla del Hombre ("The Chapel of Man") occupies a site in Bellavista overlooking the city of Quito, Ecuador. The Capilla is a purpose-built art museum dedicated to the peoples of Latin America. Construction of Guayasamín's masterpiece began in 1995 and unfortunately was not completed until 2002, after his ...
The Premio Nacional Eugenio Espejo ("Eugenio Espejo National Award") is the national prize of the nation of Ecuador.Decrees 677 and 699 (of August 1975 and September 1997, respectively) established the prize, which is conferred by the President of Ecuador.
Isabel de Santiago (1666–ca. 1714, Quito) [1] Isaac O. Moran (born 1947, Riobamba) Jaime Zapata; Jorge Velarde (born 1960, Guayaquil) José Carreño (born 1947, Guayaquil) Juan Villafuerte (1945–1977, Guayaquil, Spain) Judith Gutiérrez (1927–2003, Babahoyo) Lady Pink (1964, Ambato) Luis Miranda (born 1932) Luis Molinari (born 1929 ...
In 1974, he initiated art classes with Ecuadorian artist, Oswaldo Moreno, who significantly influenced his development. Betancourt reflected on this period, stating: "Every trip to the countryside was a lesson in approaching the canvas. With Oswaldo, I learned the value of cleanliness and freshness in technique." [4]
In 1974, he worked on the project Huayra Huanca (El origen del tiempo), which was commissioned by the Mexican government in accordance with a proposal by Oswaldo Guayasamín. In 1962, he participated in a contest for the New City Hall building of Quito, for which he was awarded a prize. Unfortunately his design was never built.
Kingman was born in Loja, Ecuador on February 23, 1913. [1] His father, Edward Kingman, had moved to Ecuador from Newton, Connecticut.Kingman was the elder brother of journalist Nicolás Kingman Riofrío.
La Virgen alada del Apocalípsis ("Winged Virgin of the Apocalypse") by Miguel de Santiago, 17th century. Retrato de una señora principal con su negra esclava ("Portrait of a Quito Matron Lady with Her Black Slave") by Vicente Albán, 1783. Oil on canvas, 80 x 109 cm. Madrid, Museum of the Americas.