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Adams is one of the most widely recognized fine art photographers of the 20th century, and was an avid promoter of conservation. While his primary focus was on photography as art, some of his work raised public awareness of the beauty of the Sierra Nevada and helped to build political support for their protection.
Galloping horse, animated using photos by Muybridge (1887) Eadweard Muybridge (/ ˌ ɛ d w ər d ˈ m aɪ b r ɪ dʒ /; 9 April 1830 – 8 May 1904, born Edward James Muggeridge) was an English photographer known for his pioneering work in photographic studies of motion, and early work in motion-picture projection.
Carrie Mae Weems (born April 20, 1953) is an American artist working in text, fabric, audio, digital images and installation video, and is best known for her photography. [1] [2] She achieved prominence through her early 1990s photographic project The Kitchen Table Series.
Photographs (made primarily by Goldsworthy himself) of site-specific, environmental works allow them to be shared without severing important ties to place. [12] According to Goldsworthy, "Each work grows, stays, decays – integral parts of a cycle which the photograph shows at its heights, marking the moment when the work is most alive.
The Horse in Motion: June 1878 Eadweard Muybridge: Palo Alto, California, United States Composite from multiple glass plates Series of cabinet cards regarded as a precursor to motion pictures. Pictured left is the variant Sallie Gardner at a Gallop, which further captured a horse's motion. [s 2] [s 3] [s 4]
There is also a portion of kinetic art that includes virtual movement, or rather movement perceived from only certain angles or sections of the work. This term also clashes frequently with the term "apparent movement", which many people use when referring to an artwork whose movement is created by motors, machines, or electrically powered systems.
Rudolf Koppitz (4 January 1884 – 8 July 1936) was an Austrian photographer. He moved to Vienna and was a Photo-Secessionist whose work includes straight photography and modernist images. He was one of the leading representatives of art photography in Vienna between the world wars. [1]
Uta Barth (born 1958) [1] is a contemporary German-American photographer whose work addresses themes such as perception, optical illusion and non-place. Her early work emerged in the late 1980s and 1990s, "inverting the notion of background and foreground" [2] in photography and bringing awareness to a viewer's attention to visual information with in the photographic frame.