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Galloping horse, animated using photos by Muybridge (1887) Eadweard Muybridge (/ ˌ ɛ d w ər d ˈ m aɪ b r ɪ dʒ /; 9 April 1830 – 8 May 1904, born Edward James Muggeridge) was an English photographer known for his pioneering work in photographic studies of motion, and early work in motion-picture projection.
Pictorialism is an international style and aesthetic movement that dominated photography during the later 19th and early 20th centuries. There is no standard definition of the term, but in general it refers to a style in which the photographer has somehow manipulated what would otherwise be a straightforward photograph as a means of creating an image rather than simply recording it.
The new movement spread in the 1950s as the West Coast artists championed the use of natural environmental forms and clarity of detail—very novel concepts at the time. Artists of The West Coast Photographic Movement embraced and developed straight photography in the 1930s. In his autobiography, Ansel Adams [1] used the terms straight ...
Stieglitz was notable for introducing fine art photography into museum collections. Fine-art photography is photography created in line with the vision of the photographer as artist, using photography as a medium for creative expression. The goal of fine-art photography is to express an idea, a message, or an emotion.
The Artist's Studio: 1837 Louis Daguerre: Paris, France Daguerreotype [s 2] Boulevard du Temple: 1838 Louis Daguerre Paris, France Daguerreotype The earliest surviving photograph depicting people: a person working as a shoeshiner and an individual having his shoes shined. [5] [s 1] [s 3] Self‐Portrait as a Drowned Man [b] 18 October 1840 ...
Since about 1970 there has been something of a revival of hand-colouring, as seen in the work of such artist-photographers as Robin Renee Hix, Elizabeth Lennard, Jan Saudek, Kathy Vargas, and Rita Dibert. Robert Rauschenberg's and others' use of combined photographic and painting media in their art represents a precursor to this revival.
The Photo-Realist must have the technical ability to make the finished work appear photographic. The artist must have exhibited work as a Photo-Realist by 1972 to be considered one of the central Photo-Realists. The artist must have devoted at least five years to the development and exhibition of Photo-Realist work. [17]
Conceptual photography is often used interchangeably with fine-art photography, and there has been some dispute about whether there is a difference between the two. However, the central school of thought is that conceptual photography is a type of fine-art photography. [4] Fine art photography is inclusive of conceptual photography.