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Two of the works in Munich, the Last Supper and the Crucifixion. The Life of Christ is a series of seven paintings in tempera and gold on panel, attributed to Giotto and dating to around 1320–1325.
Giotto di Bondone, Legend of St Joachim, Meeting at the Golden Gate, 1305, in the Scrovegni Chapel, is an early Western depiction of the scene.. Joachim and Anne Meeting at the Golden Gate is a narrative of the parents of the Virgin Mary, Joachim and Anne meeting at the Golden Gate of Jerusalem, upon learning that she will bear a child.
The works are considered a masterpiece. Both the monastery and the chapel now form part of the Musei Civici di Padova. [2] Giotto is described as a Proto-Renaissance artist, preceding and paving the way for the early Florentine Renaissance painters, breaking the artistic mold of the Byzantine period by introducing naturalism and depth into his ...
This format is the one accepted by the Chicago Manual of Style to cite scriptural standard works. The MLA style is similar, but replaces the colon with a period. Citations in the APA style add the translation of the Bible after the verse. [5] For example, (John 3:16, New International Version).
Giotto's work thus falls in the period from 25 March 1303 to 25 March 1305. Model of the interior of the chapel, towards entrance Towards the apse and altar Giotto, who was born around 1267, was 36–38 years old when he worked at Enrico Scrovegni's chapel.
The table below shows whether a scene was the subject of a feast-day in the Western church, and gives the contents of the cycles (described above and below) by: Giotto in the Scrovegni Chapel, a typical Book of hours, [5] the Hours of Catherine of Cleves, [6] the cycle of the "Master of the Louvre Life of the Virgin", [7] Ghirlandajo's Tornabuoni Chapel cycle, and the print cycles of Israhel ...
Lamentation by Giotto, 1305. The Lamentation of Christ [1] is a very common subject in Christian art from the High Middle Ages to the Baroque. [2] After Jesus was crucified, his body was removed from the cross and his friends mourned over his body.
In addition to an official document from 1298, [8] references to the work by Giotto are found in a Vatican necrology entry for Cardinal Stefaneschi recording his death in 1343, and then the Latin chronicle of Giotto's home city Florence written in the late 14th century by Filippo Villani. [10]