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  2. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.

  3. List of chord progressions - Wikipedia

    en.wikipedia.org/wiki/List_of_chord_progressions

    # of chords Quality 50s progression: I–vi–IV–V ... 2: Major Montgomery–Ward bridge: I–IV–ii–V ... Text is available under the Creative Commons ...

  4. Bring the Boys Back Home - Wikipedia

    en.wikipedia.org/wiki/Bring_the_Boys_Back_Home

    Waters and choir exhort, "Bring the boys back home / Don't leave the children on their own". On the final iteration, the song climaxes on the relative minor of E minor. The choir abruptly drops away, leaving Waters' voice alone, agonised and struggling to sustain the high note (the first B above middle C).

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  6. Key signature names and translations - Wikipedia

    en.wikipedia.org/wiki/Key_signature_names_and...

    When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...

  7. Bringing on Back the Good Times - Wikipedia

    en.wikipedia.org/wiki/Bringing_on_Back_the_Good...

    "Bringing on Back the Good Times" is a song by The Love Affair. The song was released internationally in early July 1969. The song was released internationally in early July 1969. It became a Top 10 hit in the United Kingdom, [ 1 ] New Zealand [ 2 ] and Israel and was also a minor hit in Canada [ 3 ] for 'Fast Eddy' in 1971.

  8. Parallel and counter parallel - Wikipedia

    en.wikipedia.org/wiki/Parallel_and_counter_parallel

    The tonic, subdominant, and dominant chords, in root position, each followed by its parallel. The parallel is formed by raising the fifth a whole tone.. The minor tonic, subdominant, dominant, and their parallels, created by lowering the fifth (German)/root (US) a whole tone.

  9. Bringing It Back (song) - Wikipedia

    en.wikipedia.org/?title=Bringing_It_Back_(song...

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