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The representation of women in Athenian tragedy was performed exclusively by men and it is likely (although the evidence is not conclusive) that it was performed solely for men as well. [1] The question whether or not women were admitted at theatre is widely contested and tends to polarise fronts. [2]
Bronze statue of a Greek actor, 150–100 BC. The half-mask over the eyes and nose identifies the figure as an actor. He wears a man's conical cap but female garments, following the Greek custom of men playing the roles of women.
Greek theatre, most developed in Athens, is the root of the Western tradition; theatre is a word of Greek origin. [2] It was part of a broader culture of theatricality and performance in classical Greece that included festivals, religious rituals, politics, law, athletics and gymnastics, music, poetry, weddings, funerals, and symposia.
According to Shelley Haley, Pomeroy's work "legitimized the study of Greek and Roman women in ancient times". [21] However, classics has been characterised as a "notoriously conservative" field, [21] and initially women's history was slow to be adopted: from 1970 to 1985, only a few articles on ancient women were published in major journals. [22]
Greek tragedy is widely believed to be an extension of the ancient rites carried out in honor of Dionysus, the god of wine and theatre, and it heavily influenced the theatre of Ancient Rome and the Renaissance. Tragic plots were most often based upon myths from the oral traditions of archaic epics. In tragic theatre, however, these narratives ...
Aristophanes (c. 446–388 BC), a leading source for Greek Old Comedy. The Acharnians (425 BC) The Knights (424 BC) The Clouds (423 BC) The Wasps (422 BC) Peace (421 BC) The Birds (414 BC) Lysistrata (411 BC) Thesmophoriazusae (c. 411 BC) The Frogs (405 BC) Assemblywomen (c. 392 BC) Plutus (388 BC) Pherecrates 420 BC; Diocles of Phlius ...
Euripides (c. 480 – c. 406 BC) is one of the authors of classical Greece who took a particular interest in the condition of women within the Greek world. In a predominantly patriarchal society, he undertook, through his works, to explore and sometimes challenge the injustices faced by women and certain social or moral norms concerning them.
Lysistrata (/ l aɪ ˈ s ɪ s t r ə t ə / or / ˌ l ɪ s ə ˈ s t r ɑː t ə /; Attic Greek: Λυσιστράτη, Lysistrátē, lit. ' army disbander ') is an ancient Greek comedy by Aristophanes, originally performed in classical Athens in 411 BC.