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The movie went vastly over its $2 million budget, which was blamed on Brando's perfectionism as a director. Scheduled for a three-month shoot, principal photography on One Eyed Jacks took six months at a cost $6 million, while Brando shot 1 million feet (304,800 meters) of film. [11] Shooting began in 1958, but the film was not released until 1961.
Duran was born in Los Angeles, California, of Filipino descent. [4] He became an amateur boxer while serving in the United States Navy for three years. [5] [6] After being discharged, Duran became a professional boxer before he was recruited by Marlon Brando to make his screen debut in 1952 in the film Viva Zapata!. [5]
Josefina Yolanda "Pina" Pellicer López de Llergo (3 April 1934 – 4 December 1964) was a Mexican actress known in her country for portraying the female lead in Macario (1960), and in the United States as Louisa alongside Marlon Brando in the Brando-directed movie One-Eyed Jacks (1961).
Just as she emerged as one of the brightest lights of Latin American cinema, actor Pina Pellicer died by her own hand 60 years ago. Only 30, she had in a short time co-starred opposite Marlon ...
One-Eyed Jacks: Marlon Brando: Marlon Brando, Karl Malden, Katy Jurado: Western: Paramount; only film directed by Brando One Hundred and One Dalmatians: Clyde Geronimi, Hamilton Luske, Wolfgang Reitherman: Ben Wright, Betty Lou Gerson, Rod Taylor (voices) Animated: Disney; live-action remake in 1996: One, Two, Three: Billy Wilder
Other films Gilman appeared in included Sometimes a Great Notion, PT 109, The Shadow on the Window, Away All Boats, The Missouri Breaks, One-Eyed Jacks (his first western film credit), [4] Wild Rovers, The Last Hard Men, Full of Life and Macon County Line. [3] Gilman in Medic, 1954
His 1956 novel, The Authentic Death of Hendry Jones, was freely adapted [1] into the movie One-Eyed Jacks (1961) starring and directed by Marlon Brando. Antarctica
Following J. R. R. Tolkien's sale of the film rights for The Lord of the Rings to United Artists in 1969, the rock band The Beatles considered a corresponding film project and approached Kubrick as a potential director; however, Kubrick turned down the offer, explaining to John Lennon that he thought the novel could not be adapted into a film ...