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Rolek Porter (played by Sam Anderson). First seen in the season 3 episode "My Fair Wesen", Rolek Porter is a dying Grimm, desperate to connect with Nick Burkhardt, to deliver a chest full of Grimm books and weapons, and most importantly, one of the Seven Keys. Josh Porter (played by Lucas Near-Verbrugghe) is the non-Grimm son of Rolek Porter.
With that, Grimm signs off for the last time." [22] Kevin Yeoman from Oregon Live, wrote, "As 'Grimm' reminded us, before Walt Disney and other family friendly folk got their hands on the Brothers Grimm stories, they were often as dark as the Black Forest, with monsters preying on innocent victims, until the happy ending -- we hoped -- restored ...
A grieving and desperate Adalind tries to recruit Nick's help to find her missing daughter, not knowing that Kelly Burkhardt (Nick's mother) has taken the baby. When Adalind then finds out that Kelly has left town, with both Nick and Juliette refusing to help, Adalind angrily leaves the house, then violently attacks Sean Renard in his garage ...
Starting with the final episode of Season 1 (2012), she had a recurring role on Grimm, playing Kelly Burkhardt, mother of the show's protagonist. In 2013, she guest-starred on Blue Bloods in the episode "Inside Jobs". She had a recurring role on the 2013–2014 program Hostages, playing First Lady Mary Kincaid.
The main plot follows a descendant of the Grimm line, Nick Burkhardt, ... Kevin Joy as Adult Kelly Burkhardt; ... "The Son Also Rises" February 24, 2017:
'The Kiss' is the second half of a two-part story, and it instills a little more faith that despite some serious rocky patches, Grimm has a vague idea of where it's going. It may not always deal directly with the overarching mythology – one of the writers confirmed via Twitter that the case-of-the-week structure is returning – but it can ...
The straw-to-gold quandary is the plot device driving the Grimms' version of the age-old fable, published by Georg Reimer in 1812. But an earlier iteration — one recorded by the Grimms just two years earlier, and sent to academic friends for comment — tells a different, more empowering story of the miller's daughter.
The A.V. Club's Kevin McFarland gave the episode a "B" grade and wrote, "One of the reasons Grimm needs its episodic structure is that right now, with only a handful of purely serialized installments, the show doesn't really know how to craft a parcel of plot into a compelling structure. There's some information from the past the audience didn ...