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The Fantasy Air Allegro is a Czech two seat, high wing, tricycle gear, single engine monoplane light-sport aircraft or microlight originally designed and built by Fantasy Air and later produced in the United States by Allegro LSA. [1] [2] [3]
Template:Aircraft specs displays aircraft specifications, automatically formatted and converted for either metric or imperial units. Usage A "note" parameter is available for every parameters for qualifying the entry.
Data from Sport Aviation General characteristics Capacity: 3 Length: 22 ft 6 in (6.86 m) Wingspan: 33 ft (10 m) Height: 8 ft 6 in (2.59 m) Wing area: 165 sq ft (15.3 m 2) Fuel capacity: 10 U.S. gallons (38 L; 8.3 imp gal) Powerplant: 1 × Continental C-90, 90 hp (67 kW) Range: 120 nmi (140 mi, 230 km) See also Aircraft of comparable role, configuration, and era Aerosport Woody Pusher Blue ...
A functional specification is a kind of requirement specification, and may show functional block diagrams. [citation needed] A design or product specification describes the features of the solutions for the Requirement Specification, referring to either a designed solution or final produced solution. It is often used to guide fabrication ...
The Tiffin Dragons football team represents Tiffin University in college football at the NCAA Division II level. The Dragons are members of the Great Midwest Athletic Conference (G-MAC), fielding its team in the G-MAC since 2008. The Dragons play their home games at Frost–Kalnow Stadium in Tiffin, Ohio. [2]
Introduced in 1964, Turbo-Hydramatic use quickly spread across all GM divisions, and they became referred to simply as Hydramatics (like GM's original automatic of totally different design), except for the Super Turbine 400 model.
When Beethoven began composing his Symphony No. 7, Napoleon was planning his campaign against Russia.After Beethoven's Symphony No. 3 (and possibly Symphony No. 5 as well), Symphony No. 7 seems to be another one of his musical confrontations with Napoleon, this time in the context of the European wars of liberation from years of Napoleonic domination.
The second movement, known for its prominent and frequent use of a motif from the Dies Irae chant, has been associated with the imagery of Orpheus taming the Furies (represented, respectively, by the piano and unison strings) at the gates to Hades, a suggestion of Beethoven's 1859 biographer Adolf Bernhard Marx. [10]