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Fulltone USA Inc. is an American manufacturer of effects pedals for the electric guitar.Founded by Michael Fuller in California in 1991, Fulltone was one of the first "boutique" pedal companies [1] and became best-known for its overdrive pedals, the Full-Drive and OCD, with the latter dubbed by Music Radar "one of the most legendary overdrives ever made."
The Klon Centaur is an overdrive pedal made by the American engineer Bill Finnegan between 1994 and 2008. Finnegan aimed to create a pedal that would recreate the harmonically rich distortion of a guitar amplifier at a high volume. Finnegan struggled to meet demand, and used units sold for inflated prices.
The OD-1's "overdrive" referenced the pedal's asymmetrical-clipping, tube-like distortion, [38] which stood in contrast to the brash sound of "fuzz" pedals on the market. [40] The OD-1's layout was simple—with only "Level" and "OverDrive" controls. It was an immediate success, paving the way for future compact overdrive pedals.
JHS Angry Charly overdrive/distortion pedal. JHS manufactures and sells pedals with a variety of effects, including the Morning Glory V4, the Muffuletta, the 3 Series, the Pulp'N'Peel V4, the Andy Timmons AT+, the Paul Gilbert PG-14, the Legends of Fuzz series, the Unicorn Univibe, the Lucky Cat, the Double Barrel V4, the 1966 Series and the Colour Box preamp.
Notable examples of distortion and overdrive pedals include the Boss DS-1 Distortion, Ibanez Tube Screamer, Marshall ShredMaster, MXR Distortion +, and Pro Co RAT. A fuzz pedal, or fuzzbox, is a type of overdrive effects unit that clips a signal until it is nearly a squarewave, resulting in a heavily distorted or fuzzy sound.
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Jackson Browne (Original owner of Overdrive Special #1, Dumbleland, and Steel String Singer #2) [40] Ry Cooder was an original owner of the Dumble Borderline Special (a 50 watts Overdrive Special with added tremolo effect). According to some sources he got so fed up of waiting for repairs or customizing, that he put the amp head in Dumble’s ...
The Super OverDrive was released in 1981 as Boss's second overdrive pedal, adding a tone control to the earlier OD-1 design, while continuing to replicate the sound of tube amp-style overdrive [15] via an asymmetrical clipping circuit and an inherent midrange-focus, but with less bass roll-off. [10]