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Le Bouquet (1951) by Marc Saint-Saens is among the best and most representative French tapestries of the fifties. It is a tribute to Saint-Saens’s predilection for scenes from nature and rustic life. [6] The museum of the Cité internationale de la tapisserie ) in Aubusson which opened in 2016 has a large collection of Aubusson tapestries.
In the 19th century, the most important producer of tapestries in the world was the city of Aubusson, in France. It was there that Mr. Baumgarten found the Foussadier family who were taken to New York City to work in his company. [2] They had formerly worked at The Royal Windsor Tapestry Manufactory (1876–1890). [3]
The Pastoral Amusements, (French: Les Amusements champêtres) is a series of tapestries designed between 1720 and 1730 [1] by Jean-Baptiste Oudry for Noël-Antoine de Mérou, then director of the Royal Beauvais Tapestry Manufactory. The first production of the designs took place at Beauvais in 1731. [2]
Aubusson is well known for its tapestry and carpets, which have been famous throughout the world since the 14th century. The origins of this craft date to the arrival of weavers from Flanders, who took refuge in Aubusson around 1580. There is a famous collection of Aubusson tapestries at Vallon-Pont-d'Arc. The style of the tapestries produced ...
The biggest collection of Flanders tapestry is in the Spanish royal collection, there is 8000 metres of historical tapestry from Flanders, as well as Spanish tapestries designed by Goya and others. There is a special museum in the Royal Palace of La Granja de San Ildefonso, and others are displayed in various historic buildings.
Dublin: Irish Museum of Modern Art, Louis le Brocquy, Paintings 1939 – 1996, 16 October 1996 – 16 February 1997. Texts by Declan McGonagal; Alistair Smith 'Louis le Brocquy: On the Spiritual in Art'. ISBN 1-873654-46-4; London: Agnew's, Louis le Brocquy, Aubusson Tapestries, 3–29 May 2001. Preface by Mark Adams.