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Islamic and Mujédar stucco decoration followed the main types of ornamentation in Islamic art: geometric, arabesque or vegetal, and calligraphic motifs. [ 3 ] [ 2 ] Three-dimensional muqarnas was often also carved in stucco, [ 24 ] [ 7 ] most typically found as transitional elements on vaults, domes, capitals, friezes, and doorways.
[7] [8] In Islamic culture, the patterns are believed to be the bridge to the spiritual realm, the instrument to purify the mind and the soul. [9] David Wade [b] states that "Much of the art of Islam, whether in architecture, ceramics, textiles or books, is the art of decoration – which is to say, of transformation."
It is an archetypal form of Islamic architecture, integral to the vernacular of Islamic buildings, [2] [3] and typically featured in domes and vaults, as well as iwans, entrance portals, or other niches. [3] It is sometimes referred to as "honeycomb vaulting" [4] or "stalactite vaulting". [1] The muqarnas structure originated from the squinch ...
Islamic ornament is the use of decorative forms and patterns in Islamic art and Islamic architecture. Its elements can be broadly divided into the arabesque , using curving plant-based elements, geometric patterns with straight lines or regular curves, and calligraphy , consisting of religious texts with stylized appearance, used both ...
Banna'i brickwork in the Mausoleum of Khoja Ahmed Yasavi.The blue brickwork spells out the names of Allah, Muhammad and Ali in square Kufic calligraphy.. In Iranian architecture, banna'i (Persian: بنائی, "builder's technique" in Persian) is an architectural decorative art in which glazed tiles are alternated with plain bricks to create geometric patterns over the surface of a wall or to ...
The relatively abundant survivals of stucco reliefs from the walls of palaces (but not mosques) in Abbasid Samarra, the Islamic capital between 836 and 892, provide examples of three styles, Styles A, B, and C, though more than one of these may appear on the same wall, and their chronological sequence is not certain. [10]