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The entry to the living rooms are double pocket doors and the living room ceiling is surrounded with box molding and underneath it, a picture rail. The floor is a carpeted hardwood floor with a plain 12-inch baseboard and all other rooms contain the same floor and ceiling finishes with a few variations in the walls.
Green, (such as pea green and drab), yellow, pink, and orange (such as peach and saffron) hues were popular for wallpaper, carpets, curtains, sofas, chair seats, and cushions, often with patterns or bright flowers. English decorator David Hicks was an important influence on interiors in the 1960s, inspired by bright colours associated with ...
English furniture has developed largely in line with styles in the rest of northern Europe, but has been interpreted in a distinctive fashion. There were significant regional differences in style, for example between the North Country and the West Country .
Interior of The Blackfriar in London, a Grade II* listed public house. The National Inventory of Historic Pub Interiors was a register of public houses in the United Kingdom with interiors which had been noted as being of significant historic interest, having remained largely unchanged for at least 30 years, but usually since at least World War II.
His career peaked in the 1920s and 1930s when English brewers were trying to shed the Victorian sawdust-on-the-floor image of their pubs for a less rowdy atmosphere with a greater appeal to women—a concept termed the "improved pub". [1] [2] His pub designs generally eschewed the then fashionable modernism in favour of nostalgic neo-Georgian ...
The design of the scallop shell back for chairs is associated with the designer Francis Cleyn who worked in England from the 1620s. [2] Settees were made at this time whose backs consisted of several just such immense scallops as those of these Holland House Gilt Chamber chairs; [ 3 ] and the same idea of decoration peeps out in fan-like frills ...