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When the dazzling 16-foot-high leaded stained- glass window arrived in Canton in 1913, it made front-page news—and postponed the new church’s dedication by a week because of a shipping delay ...
While most of the work of Wailes' workshop is to be found in the North of England, other commissions came from further afield. The most significant window glazed by the firm, and one of the prize commissions of the industry, was the glazing of the west window of Gloucester Cathedral, an enormous window of c.1430 in the Perpendicular Gothic style, of nine lights and four tiers.
Main article: Christopher Whall This is a list of the stained glass works of Christopher Whall (1849–1924) in cathedrals and minsters, reflecting Whall's intent to reflect the inspiration of nature in this art. To experience the Lady Chapel is rather like being inside a great jewelled casket, for the glazing combines a profusion of deep, vibrant colours with a sparkling, silvery framework of ...
Whall window in Ewhurst Church The works of Veronica Whall provides a list of works carried out by Veronica Whall (1887–1967). Whall predominantly created stained glass works for churches and cathedrals. She started out assisting her father, Christopher Whall, in stained glass commissions, such as that at All Saints in Valescure, France, in 1918-19 and the St Christopher window in Sproughton ...
The stained-glass piece is made of 1,152 panels, distributed along 30 meters (98 feet) in diameter, and it took Quagliata and his 20 assistants five years of hard work. “When I came back, I was ...
Main article: Christopher Whall Centre light of three-light window in Dornoch Cathedral. This is a list of the stained glass works of Christopher Whall (1849–1924) in Scotland reflecting Whall's intent to reflect the inspiration of nature in this art. Whall's works also include: Gloucester Cathedral War Memorial windows Cathedrals and Minsters windows Church Location Date(s) Subject, notes ...
The Flamboyant windows gradually abandoned mosaic-like appearance of the early stained glass windows, and came more and more to resemble paintings. [ 21 ] One distinctive feature of the flamboyant was a curvilinear design of the stone mullions within the arched top of windows which, with some imagination, resembled flames agitated by the wind.
The effects achieved by apparently simple means are often of overwhelming impact. A renowned example that is reproduced in various books on the topic of stained glass is the Last Judgement window of St Mary's church, Hanley Castle, Worcestershire, dating from 1860. [12] Clayton and Bell excelled in their use of colour.