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Gerard Manley Hopkins SJ (28 July 1844 – 8 June 1889) was an English poet and Jesuit priest, whose posthumous fame places him among the leading English poets. His prosody – notably his concept of sprung rhythm – established him as an innovator, as did his praise of God through vivid use of imagery and nature.
Hopkins's struggles while writing the poem form the basis for the Ron Hansen novel Exiles. [4]The poem plays a major role in Anthony Burgess' third "Enderby" novel, The Clockwork Testament, or Enderby's End, in which Enderby pitches an idea for a movie adaptation of the poem and produces a script, but the resulting movie bears little resemblance to either his script or to Hopkins's poem.
Hopkins regarded "The Windhover" as his poem that best expressed his conception of inscape. [9] To Christ our Lord. I caught this morning morning's minion, king-dom of daylight's dauphin, dapple-dawn-drawn Falcon, in his riding Of the rolling level underneath him steady air, and striding High there, how he rung upon the rein of a wimpling wing
Gerard Manley Hopkins, author of ‘Binsey Poplars’. "Binsey Poplars" is a poem by Gerard Manley Hopkins (1844–1889), written in 1879. [1] [2] The poem was inspired by the felling of a row of poplar trees near the village of Binsey, northwest of Oxford, England, and overlooking Port Meadow on the bank of the River Thames. [3]
The Windhover" is a sonnet by Gerard Manley Hopkins (1844–1889). It was written on 30 May 1877, [1] but not published until 1914, when it was included as part of the collection Poems of Gerard Manley Hopkins. Hopkins dedicated the poem "To Christ our Lord".
Some critics believe he merely coined a name for poems with mixed, irregular feet, like free verse. However, while sprung rhythm allows for an indeterminate number of syllables to a foot, Hopkins was very careful to keep the number of feet per line consistent across each individual work, a trait that free verse does not share.
"Pied Beauty" is a curtal sonnet by the English poet Gerard Manley Hopkins (1844–1889). It was written in 1877, but not published until 1918, when it was included as part of the collection Poems of Gerard Manley Hopkins .
Gerard Manley Hopkins took this idea of poetric energy through departure from meter to its extreme, with his theory and practice of sprung rhythm, an approach to poetry in which the language constantly frustrates the reading mind's expectation of a regular meter.