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A line was drawn around the Sa'dan area and called Tana Toraja ("the land of Toraja"). Tana Toraja was first a subdivision of the Luwu kingdom that had claimed the area. [ 13 ] In 1946, the Dutch granted Tana Toraja a regentschap , and it was recognised in 1957 as one of the regencies of Indonesia .
Semar mendem which is lemper wrapped in thin omelette. A variant snack almost identical to lemper is called semar mendem. Both are glutinous rice filled with shredded seasoned chicken. Instead of banana leaf wrapping, semar mendem uses a thin omelette made from egg and flour as wrapper, hence rendering the whole package edible.
Semar is the personification of a deity, sometimes said to be the dhanyang (Javanese: ꦝꦚꦁ) [5] or guardian spirit of the island of Java. In Javanese mythology, deities can only manifest themselves as ugly or otherwise unprepossessing humans, and so Semar is always portrayed as short and fat with a pug nose and a dangling hernia.
In the Toraja myth, the ancestors of Torajan people came down from heaven using stairs, which were then used by the Torajans as a communication medium with Puang Matua, the Creator. [7] The cosmos, according to aluk , is divided into the upper world (heaven), the world of man (earth), and the underworld. [ 8 ]
Toraja-Saʼdan (also Toraja, Saʼdan, South Toraja) is an Austronesian language spoken in South Sulawesi, Indonesia. It shares the name Taeʼ with East Toraja . Most of the Toraja language mapping was done by Dutch missionaries working in Sulawesi, such as Nicolaus Adriani and Hendrik van der Veen .
The traditional house of the Mamasa tribe is unique. Its shape resembles a ship, like their ancestors' ships when they crossed the sea and settled in this area. The traditional house of the Mamasa people is similar to the traditional house of the Toraja people. [5]
Semar is a character in Javanese mythology who frequently appears in wayang shadow plays. He is one of the punokawan (clowns) but is divine and very wise. He is the dhanyang (guardian spirit) of Java, [ 1 ] and is regarded by some as the most sacred figure of the wayang set. [ 2 ]
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