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Both Stahelski and Leitch had expressed to both Bates and Richard they wished for the compositions of the film to be in line with John Wick's alter ego and former life, with Richard describing the two as wanting a "fun, raw, aggressive, unorthodox score", as well as the emphasis on the music of the piece being able to create an atmosphere to differentiate between the set pieces and fight ...
[7] He called John Wick 4 as the Mount Kilimanjaro of hybrid film scores. [4] [8] Bates added that the main theme of John Wick was consistent throughout the four films, whereas he expanded the genres and cultures from the franchise film's score as it travels throughout the world, calling the score as an "infusion of cultures". [7]
Zanobard Reviews gave 8/10 to the score album, saying "Tyler Bates’ score to John Wick: Chapter 3 – Parabellum (what a title by the way) is pretty great. It continues in the same musical vein as the first two scores, using that unique mixture of electronics and a rather gloomy tone to both emphasize the dark character of Wick and get across the particularly dramatic nature of the films as ...
Faced with the biggest, craziest Keanu Reeves kill-fest yet in “John Wick 4,” composer Tyler Bates upped the musical ante the only way possible: He added an orchestra to the essential “John ...
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At 169 minutes, “John Wick: Chapter 4” is a whole lot of movie. The two-hour-and-50-minute action extravaganza is powered by nonstop set pieces that are so frenetic and visceral that you’ll ...
Tyler Bates and Joel J. Richard returned to score for John Wick: Chapter 2 after previously scoring for the first film. [1] Bates called the score as "more aggressive" and "frenetic" than the first film, which Richard recalled that Stahelski insisted to use Italian influence for the story that is set in Rome, that inspired the instrumental uses of cello, mandolin, operatic vocals and influence ...
The studio intends to expand the franchise with installments set within the same fictional world. The story, written as a spec script based on Hatten's love for the John Wick films before being purchased by Lionsgate, [45] involves a young woman who is raised to be an assassin who seeks revenge on the hitmen who killed her family.