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The storyline of the film is an adaptation from Japanese crime fiction writer Kanae Minato's bestseller novel Bosei (母性). [2] [3] The film depicts about the paramount importance on the main theme of the plot revolving around motherhood by delving into the stories of three generations of women in Japan with an influence of Confucianism. [4]
The first female Zen master in Japan was the Japanese abbess Mugai Nyodai (born 1223 - died 1298). [ 96 ] [ 97 ] In 1872, the Japanese government issued an edict (May 4, 1872, Grand Council of State Edict 98) stating, "Any remaining practices of female exclusion on shrine and temple lands shall be immediately abolished, and mountain climbing ...
This sentiment is prevalent to this day, particularly in rural areas. The relationship between mother-in-law and daughter-in-law and the relationship between father and son is more important than the relationship between husband and wife. A wife must always be submissive to her husband, and she can neither be offensive nor jealous.
An image of ubume as depicted by Toriyama Sekien, an ukiyo-e artist famous for his prints of yokai and obakemono. [citation needed]In the 16th volume, first half of the Miscellaneous Morsels from Youyang of the Tang dynasty, volume 462 of the Taiping Guangji of Northern Song dynasty, the "night-going leisure woman" is a nocturnal strange bird that steals people's babies and about it is written ...
This Japanese custom is based upon the belief that the umbilical cord has a direct relationship to the health of the baby. Maltreating it, therefore, risks causing harm or disease in the child. In some Japanese households, a mother may show a child the umbilical cord on certain events like birthdays to recall the day the child was born.
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Onna-musha (女武者) is a term referring to female warriors in pre-modern Japan, [1] [2] who were members of the bushi class. They were trained in the use of weapons to protect their household, family, and honour in times of war; [ 3 ] [ 4 ] many of them fought in battle alongside samurai men.
It consists of three interconnected categories of inquiry: motherhood as institution, motherhood as experience, and motherhood as identity or subjectivity. [2] Motherhood studies is often referred to as a feminist practice. Feminist mothering critiques the sexist and patriarchal values that contemporary society upholds. [3]