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Ben Jonson: His Craft and Art (Routledge, London 2017) Rosalind Miles. Ben Jonson: His Life and Work (Routledge, London 1986) George Parfitt. Ben Jonson: Public Poet and Private Man (J. M. Dent, 1976) Richard S. Peterson. Imitation and Praise in the Poems of Ben Jonson (Routledge, 2011) David Riggs. Ben Jonson: A Life (1989) Stanley Wells.
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Title page of The Workes of Benjamin Jonson (1616), the first folio publication that included stage plays. Ben Jonson (c. 11 June 1572 – c. 16 August 1637) collected his plays and other writings into a book he titled The Workes of Benjamin Jonson. In 1616 it was printed in London in the form of a folio. [1]
A Tale of a Tub is a Caroline era stage play, a comedy written by Ben Jonson. The last of his plays to be staged during his lifetime, A Tale of a Tub was performed in 1633 and published in 1640 in the second folio of Jonson's works.
The play, however, is strongly dependent upon Classical examples in a way suggestive of Jonson: The Case is Altered borrows plots from two of the plays of Plautus, the Captivi ("The Captives") and the Aulularia ("The Pot of Gold"). The former supplies the plot of the Milanese Count Ferneze and his persecuted slave – who turns out to be his ...
Catiline His Conspiracy (1611) is a Jacobean tragedy written by Ben Jonson. It is one of the two Roman tragedies that Jonson hoped would cement his dramatic achievement and reputation, the other being Sejanus His Fall (1603).
Love Freed from Ignorance and Folly was a Jacobean era masque, written by Ben Jonson and designed by Inigo Jones, with music by Alfonso Ferrabosco. It was performed on 3 February 1611 at Whitehall Palace, and published in 1616. Love Freed from Ignorance and Folly proved to be the last masque in which Anne of Denmark, King James I's Queen ...
Title page of the first edition of Poetaster (1602). Poetaster is a late Elizabethan satirical comedy written by Ben Jonson that was first performed in 1601.The play formed one element in the back-and-forth exchange between Jonson and his rivals John Marston and Thomas Dekker in the so-called Poetomachia or War of the Theatres of 1599–1601.