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Joseph Mallord William Turner RA (23 April 1775 – 19 December 1851), known in his time as William Turner, [a] was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbulent, often violent marine paintings.
The Painting is attributed to Turner. It is highly likely to be a Turner work, and part of the Turner Bequest also. [3] Interior of a Romanesque Church: c.1795–1800 Tate Britain, London: 61 x 50.2 Fishermen at Sea: 1796 Tate Britain, London: 91.4 × 122.2 Diana and Callisto (after Wilson) 1796 Tate Britain, London: 56.5 x 91.4 Interior of a ...
JMW Turner died in 1851 at the age of 76. "His influence continues to resonate, whether through the Turner Prize, his place on the £20 note or the countless artists inspired by his work," a Tate ...
The main colours used by Turner were red, yellow, and blue, [3] which are discussed more in depth in relation to other works that influenced Turner. His work also illustrates his relationship to the Romantic movement and position as the precursor of the impressionist movement .
Liber Studiorum (Latin: Book of Studies [2]) is a collection of prints by J. M. W. Turner. The collected works included seventy-one prints that he worked on and printed from 1807 to 1819. [3] For the production of the prints, Turner created the etchings for the prints, which were worked in mezzotint by his collaborating engravers. [4]
The Author was in this Storm on the Night the "Ariel" left Harwich) [1] is a painting by English artist Joseph Mallord William Turner (1775–1851) from 1842. [ 2 ] [ 3 ] Though panned by many contemporary critics, critic John Ruskin commented in 1843 that it was "one of the very grandest statements of sea-motion, mist and light, that has ever ...
Frosty Morning is an 1813 landscape painting by the British artist J. M. W. Turner.Based on a sketch made when Turner was journeying to Yorkshire and the coach paused. [1] It depicts a bright but frosty early morning in winter and group of men clearing a ditch at the side of the road.
The painting measures 146 × 237.5 centimetres (57.5 × 93.5 in). It contains the first appearance in Turner's work of a swirling oval vortex of wind, rain and cloud, a dynamic composition of contrasting light and dark that will recur in later works, such as his 1842 painting Snow Storm: Steam-Boat off a Harbour's Mouth.