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The front-lacing bodice remained fashionable in Italy and the German States. Catherine de' Medici in a gown with a high-arched bodice fur-lined "trumpet" sleeves, over a pink forepart and matching paned undersleeves, c. 1555. An unknown woman wears a dark gown trimmed or lined in fur over fitted undersleeves. A chain is knotted at her neck.
Line art drawing of a bodice. A bodice (/ ˈ b ɒ d ɪ s /) is an article of clothing traditionally for women and girls, covering the torso from the neck to the waist.The term typically refers to a specific type of upper garment common in Europe during the 16th to the 18th century, or to the upper portion of a modern dress to distinguish it from the skirt and sleeves.
Front Claps for corsets. A busk (also spelled busque) is a rigid element of a corset at the centre front of the garment. [1] Two types exist, one- and two-part busks. [2]Single-piece busks were used in "stays" and bodices from the sixteenth to early nineteenth centuries and were intended to keep the front of the corset or bodice straight and upright.
A stomacher is a decorated triangular panel that fills in the front opening of a woman's gown or bodice. The stomacher may be boned, as part of a stays, or may cover the triangular front of a corset. If simply decorative, the stomacher lies over the triangular front panel of the stays, being either stitched or pinned into place, or held in ...
[4] [5] The term "stays" was frequently used in English circa 1600 until the early twentieth century, and was used interchangeably with corset in the Renaissance. [6] The term "jumps," deriving from the French word jupe "short jacket," referred to stays without boning, which were less structured and typically laced in the front.
A décolleté is the part of the throat that is exposed, but also the cut of a bodice that exposes the neck, the shoulders, and sometimes the chest. During Antiquity, several symbols clashed: the freedom of the non-erotic body (Egypt or Crete) clashed with modesty and reserve (Greco-Roman society).
The bodice was boned and stiffened to create a more structured form, and often a busk was inserted to emphasise the flattening and elongation of the torso. [7] Small geometric patterns appeared early in the period and, in England, evolved into the elaborate patterns associated with the flowering of blackwork embroidery. German shirts and ...
Portrait of an unknown woman wearing the informal English fashion of a brightly coloured bodice and petticoat without an overgown. Her bodice has deep tabs at the waist and virago sleeves, 1630. Henrietta Maria as Divine Beauty in the masque Tempe Restored wears a high-necked chemise, a lace collar, and a jeweled cap with a feather, 1632.