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The front-lacing bodice remained fashionable in Italy and the German States. Catherine de' Medici in a gown with a high-arched bodice fur-lined "trumpet" sleeves, over a pink forepart and matching paned undersleeves, c. 1555. An unknown woman wears a dark gown trimmed or lined in fur over fitted undersleeves. A chain is knotted at her neck.
Line art drawing of a bodice. A bodice (/ ˈ b ɒ d ɪ s /) is an article of clothing traditionally for women and girls, covering the torso from the neck to the waist.The term typically refers to a specific type of upper garment common in Europe during the 16th to the 18th century, or to the upper portion of a modern dress to distinguish it from the skirt and sleeves.
The bodice was boned and stiffened to create a more structured form, and often a busk was inserted to emphasise the flattening and elongation of the torso. [7] Small geometric patterns appeared early in the period and, in England, evolved into the elaborate patterns associated with the flowering of blackwork embroidery. German shirts and ...
The bodice often has embroidered decoration, especially when worn for public events. [2] [5] [13] [22] The skirt (Rock) is full, with folds gathered in at the waist. Before the 1930s, it was separate from the bodice, but since then the two have been sewn to one another. Originally the skirt was long, but in more modern designs it is typically ...
Portrait of an unknown woman wearing the informal English fashion of a brightly coloured bodice and petticoat without an overgown. Her bodice has deep tabs at the waist and virago sleeves, 1630. Henrietta Maria as Divine Beauty in the masque Tempe Restored wears a high-necked chemise, a lace collar, and a jeweled cap with a feather, 1632.
Throughout Europe and Asia Minor, during the entire Renaissance period and even for some time beyond, the sumptuous Italian gold-brocaded red velvets with the pomegranate motif, the zetani vel lutati al lucciolati recorded in contemporary documents, were an indication of high social status: luxury, power and sacredness.
20th and 21st century designers have sometimes designed metal corsets and bodices as part of their fashion shows, including Alexander McQueen, Issey Miyake, and Thierry Mugler. [ 6 ] [ 20 ] One of McQueen's most famous pieces was a 1999 aluminium corset, called the Coiled Corset, created in collaboration with the jeweller Shaun Leane and the ...
Men in particular wanted to wear more fitted clothes to emphasize their body shape. Merchants expanded the market for apparel, and created complementary accessories such as hats, hairnets, bags, and gloves. The widespread use of mirrors, popular in Renaissance interior design and architecture, increased interest in self-image and fashion.