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Some would have played a "full-voiced" (thicker) style, for example (Exs. 8, 11) [86] [87] or an embellished style (Ex. 10). [88] No real Baroque-era musician could have managed the diversity of styles and idioms that flourished in different lands and at different times in the period, [26] concerning which specific knowledge is patchy. [89]
Performance on period instruments is a key aspect of HIP, such as this baroque orchestra (Photo: Josetxu Obregón and the Spanish ensemble La Ritirata, 2013).. Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of classical music which aims to be faithful to the approach, manner and style of the musical ...
Baroque music (UK: / b ə ˈ r ɒ k / or US: / b ə ˈ r oʊ k /) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. [1] The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition (the galant style). The Baroque period is divided ...
In the years centering on 1600 in Europe, several distinct shifts emerged in ways of thinking about the purposes, writing and performance of music.Partly these changes were revolutionary, deliberately instigated by a group of intellectuals in Florence known as the Florentine Camerata, and partly they were evolutionary, in that precursors of the new Baroque style can be found far back in the ...
Halting and subdued in nature, its performance should be highly expressive, and freed from slavish dependence on note values." [6] He also noted that the ornament is more effective when some of its notes are dissonant against the bass below it. [6] Bach concludes his discussion of the slide by noting two important points:
The style is related to improvisation but is characterised by the use of short contrasting episodes and a free form, just like a classical fantasia. Johann Mattheson , who was a German composer and theorist in the 17th century, presented his idea about the definition that Athanasius Kircher in his book, "Das beschutzte Orchestre" (1717), cited ...