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Christian Johann Heinrich Heine (/ ˈ h aɪ n ə /; German: [ˈhaɪnʁɪç ˈhaɪnə] ⓘ; born Harry Heine; 13 December 1797 – 17 February 1856) was a German poet, writer and literary critic. He is best known outside Germany for his early lyric poetry , which was set to music in the form of Lieder (art songs) by composers such as Robert ...
Liederkreis, Op. 24, is a song cycle for voice and piano composed by Robert Schumann on nine poems by Heinrich Heine.The cycle was composed and published in 1840. This song cycle was one of the earlier products of Schumann’s Liederjahr (Year of Song), referring to his nearly exclusive devotion to song composition from 1840-1841, immediately after his marriage to Clara Wieck.
Die Lotosblume [1] ("The Lotus Flower") is a poem written by Heinrich Heine, and published in his Buch der Lieder (The Book of Songs, 1827). [2] Set to music by Robert Schumann in 1840, [3] this Lied is part of Schumann's Myrthen collection (op. 25 no. 7)) [4] and Six Songs for Männerchor (op. 33 no. 3).
Heine's Buch der Lieder is divided into five sections; all the poems set in Schwanengesang are from the third, Die Heimkehr (The Homecoming). In Schwanengesang, this song stands at the end of the Heine songs, although Heine's order is different and it has been argued that the sequence works better dramatically when the songs are performed in their order of appearance in the Buch der Lieder.
On Wings of Song, Sweetheart, I carry you away, Away to the fields of the Ganges, Where I know the most beautiful place. There is a garden of red flax
Winter landscape near Schmitten, Hesse. The opening of the poem is the first journey of Heinrich Heine to Germany since his emigration to France in 1831. However it is to be understood that this is an imaginary journey, not the actual journey which Heine made but a literary tour through various provinces of Germany for the purposes of his commentary.
The writer Heinrich Heine coined the term Lisztomania to describe the outpouring of emotion that accompanied Liszt and his performances. Heine wrote a series of musical feuilletons over several different music seasons discussing the music of the day. His review of the musical season of 1844, written in Paris on 25 April 1844, is the first place ...
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