Search results
Results From The WOW.Com Content Network
Unlike many of Boulanger's other works, this work was written to charm, with a fresh and joyful character. [3] The Belgian musicologist Harry Halbreich wrote: . D'un matin de printemps est dans l'ensemble un Scherzo à la verve primesautière, à l'orchestration aérée et transparente, mais on y voit surgir au milieu une gradation d'orchestre véhémente qui révèle la douleur sous-jacente ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
Allegro con brio • Poco meno mosso • Tempo I • Poco meno mosso • Allegro con brio; The work is highly classical in design as it opens with a sonata movement which is followed by a scherzo, a slow movement, and a finale. The violin part is replete with virtuosic display but is also highly lyrical and elegant, evidence of the work's ...
(24) Etudes-Caprices dans les 24 tons de la gamme, for solo violin; Fantaisie sur un thême de Lucia di Lammermoor de Donizetti (on sextet "Chi mi frena in tal momento"), in D major Op.46 for solo violin (1844) Thême Original et Etude de Sigismund Thalberg, Op.45a for solo violin; Variations sur un Thème de Haydn, Op.1 for solo violin (1818)
The romances, scored for violin and piano, are written in three movements: Andante molto; Allegretto; Leidenschaftlich schnell; The first romance has Romani-inspired pathos amidst lyrical melodies. [5] In the final section, Schumann references the main theme from her husband Robert Schumann's first violin sonata. [6]
The violin sonata was a form Saint-Saëns was familiar with: he had completed a Violin Sonata in B ♭ major in 1842 – when he was just six years old – and abandoned another Violin Sonata in F major dating from around 1850–1851 after the second movement. These juvenile works remained unpublished until 2021.
It took almost thirty-five years before Janáček returned to the composition of music for the same combination of instruments. The sonata was created in the period of composer’s marked interest in chamber music (Piano Trio (now lost), 1908, Pohádka (Fairy Tale) for cello and piano, 1910), and also at the beginning of World War I.
The compositions for violin and piano D 384, 385 and 408 were named Sonata in Schubert's autographs. [ 5 ] [ 6 ] They were named Sonatina when published posthumously as Op. 137 in 1836. [ 7 ] Since these works are modest in size—rather to be compared to Mozart's violin sonatas than to Beethoven's —the "Sonatina" diminutive stuck to them.