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Baksa Kembang dancers are equipped with a scarf (selendang) that is used to dance so that when dancing they look elegant and charming.One of the characteristics of the Baksa Kembang dance costume is the crown on its head called the gajah gemuling, which is a crown decorated with two small bogam flowers and woven young coconut leaves which are often called halilipan.
Piring dance (Minangkabau: Piriang; Jawi: تاري ڤيريڠ) is a traditional Minangkabau plate dance originated and performed in West Sumatra, Indonesia.It is also performed in Negeri Sembilan, Malaysia.
The Srimpi (Javanese: ꦱꦿꦶꦩ꧀ꦥꦶ, romanized: Srimpi) (also written as Serimpi) is a ritualised dance of Java, Indonesia, associated with the royal palaces of Yogyakarta and Surakarta.
Kecak (Balinese: ᬓᬾᬘᬓ᭄, romanized: kécak, pronounced "kechak"), alternate spellings: kechak and ketjak), known in Indonesian as tari kecak, is a form of Balinese Hindu dance and music drama that was developed in the 1930s.
A condong figure in wayang kulit (before 1900). The condong dance originated in the palaces of Bali in the mid-19th century. Its creator is not known, [1] but folk history suggests that a prince of Sukawati, deathly ill, saw a vision of two beautiful girls dancing gracefully while accompanied by gamelan music; upon regaining his health, this prince recreated the dance he had seen. [2]
Bajidor Kahot (from Sundanese ᮘᮏᮤᮓᮧᮁ ᮊᮠᮧᮒ᮪) is a Sundanese dance from Indonesia which combines the dance movements of Ketuk Tilu and Jaipongan as the basis of its motions. [1]
Payung dance (Minangkabau: tari Payuang; Jawi: تاري ڤايوڠ) is a folk dance-drama tradition of the Minangkabau-Malay ethnic group [1] in Sumatra, Indonesia. This dance is a Minangkabau version of other Malay dances from Sumatra. Folk theatre such as toneel and sandiwara often incorporates payung dance as part of the show. [2]
Bambangan Cakil (Javanese: ꧋ꦧꦩ꧀ꦧꦔꦤ꧀ꦕꦏꦶꦭ꧀) is a classical dance-drama [1] of the Javanese people in—particularly—Central Java, Indonesia. [2] This dance-drama demonstrates wayang performance due to the movement is adopted from one of the scenes in wayang kulit performance, that is the Perang Kembang scene. [3]