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The tintinnabulum is one of the three physical signs that indicate that a church is a lesser basilica. The other two signs are the umbraculum (conopaeum) and a display of the papal symbol. [2] In the Middle Ages it served the practical function of alerting the people of Rome to the approach of the Pope during papal processions. [citation needed]
In ancient Rome, a tintinnabulum (less often tintinnum) [1] was a wind chime or assemblage of bells. A tintinnabulum often took the form of a bronze ithyphallic figure or of a fascinum, a magico-religious phallus thought to ward off the evil eye and bring good fortune and prosperity. A tintinnabulum acted as a door amulet.
The Bible [a] is a collection of religious texts and scriptures that are held to be sacred in Christianity, and partly in Judaism, Samaritanism, Islam, the Baháʼí Faith, and other Abrahamic religions. The Bible is an anthology (a compilation of texts of a variety of forms) originally written in Hebrew, Aramaic, and Koine Greek. The texts ...
Ancient Romans used tintinnabulum as a way to protect against the “evil or jealous eye,” he said. A photo shows the partially excavated tintinnabulum, a “magical” phallus-shaped wind chime.
Harper's Bible Dictionary: 1952 Madeleine S. and J. Lane Miller The New Bible Dictionary: 1962 J. D. Douglas Second Edition 1982, Third Edition 1996 Dictionary of the Bible: 1965 John L. McKenzie, SJ [clarification needed] The New Westminster Dictionary of the Bible: 1970 Henry Snyder Gehman LDS Bible Dictionary: 1979 Harper's Bible Dictionary ...
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The full title was A Dictionary of the Bible, dealing with the Language, Literature and Contents, including the Biblical Theology. It was edited by James Hastings, with the assistance of John A. Selbie. Additional assistance with revision of the proofs was provided by A. B. Davidson, S. R. Driver and H. B. Swete. Four volumes (1898—1902 ...
In Judaism, bible hermeneutics notably uses midrash, a Jewish method of interpreting the Hebrew Bible and the rules which structure the Jewish laws. [1] The early allegorizing trait in the interpretation of the Hebrew Bible figures prominently in the massive oeuvre of a prominent Hellenized Jew of Alexandria, Philo Judaeus, whose allegorical reading of the Septuagint synthesized the ...