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A challenge with designing sound systems for clubs is that the sound system may need to be used for both prerecorded music played by DJs and live music. A club system designed for DJs needs a DJ mixer and space for record players. In contrast, a live music club needs a mixing board designed for live sound, an onstage monitor system, and a ...
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied ...
Multitrack recording was much more than a technical innovation; it also enabled record producers and artists to create new sounds that would be impossible to create outside of the studio, such as a lead singer adding many harmony vocals with their own voice to their own lead vocal part, an electric guitar player playing many harmony parts along ...
Automatic double-tracking or artificial double-tracking (ADT) is an analogue recording technique designed to enhance the sound of voices or instruments during the mixing process. It uses tape delay to create a delayed copy of an audio signal which is then played back at slightly varying speed controlled by an oscillator and combined with the ...
The Otari RADAR II, released in 1997, was capable of recording and playing back twenty-four tracks of 24 bit, 48k audio on a single hard drive, editing and multiple-machine linking for up to 192 tracks. [2] Until April 2000, the RADAR II was branded as the "Otari RADAR II." After April 2000, it was sold by iZ Technology as the "iZ RADAR II." [7]
The replacement of the relatively fragile vacuum tube by the smaller, rugged and efficient transistor also accelerated the sale of consumer high-fidelity sound systems from the 1960s onward. In the 1950s, most record players were monophonic and had relatively low sound quality. Few consumers could afford high-quality stereophonic sound systems.
Spill occurs when sound is detected by a microphone not intended to pick it up (for example, the vocals being detected by the microphone for the guitar). [3] Spill is often undesirable in popular music recording, [4] as the combined signals during the mix process can cause phase cancellation and may cause difficulty in processing individual tracks. [2]
The modular system was Avid's first live console to be built on an Ethernet AVB architecture that connects the S3 control surface, up to four Stage 16 I/O racks, and the E3 Engine over Cat5e cables. The system can support up to 64 inputs and was the first VENUE system to enable the sharing of I/O between systems over the Ethernet AVB network. [6]