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Cannas became very popular in Victorian times as garden plants, and were grown widely in France, Germany, Hungary, India, Italy, the United Kingdom, and the United States. [ 9 ] [ 22 ] Some cultivars from this time, including a sterile hybrid, usually referred to as Canna × ehemannii , are still commercially available. [ 28 ]
In order to introduce colours to the large white calla lilies, like the many colours available in the dwarf summer calla lilies, attempts have been made to hybridise Z. aethiopica with Z. elliotiana. These have resulted in albino progeny, which are non-viable. [citation needed]
Zantedeschia are relatively hardy plants, but some are more winter-hardy than others. In this regard there may be considered two groups, a hardy outdoor group with large white flowers (arum lilies) and less hardy group with white-spotted leaves and flowers in many colours (calla lilies), such as yellow, orange, pink and purple. [17]
[2] [3] [4] This group has occasionally been referred to as the Année Group, after the originator, Théodore Année, the world's first Canna hybridizer. However, the use of an accented character in the name creates problems, both in pronunciation and keyboard entry, that it was felt that as they were grown primarily for foliage, then "Foliage ...
[6] [7] As of March 2020, the World Checklist of Selected Plant Families and Plants of the World Online regard many of these as synonyms (most of Canna indica) but also recognise two further species, making 12 in total.
Various folk cultures and traditions assign symbolic meanings to plants. Although these are no longer commonly understood by populations that are increasingly divorced from their rural traditions, some meanings survive. In addition, these meanings are alluded to in older pictures, songs and writings.
Zantedeschia albomaculata, commonly called the spotted calla lily [2] (although Calla is a genus unto itself) or the white spotted arum, ...
She painted an extreme close-up of the canna lily entitled Inside the Red Canna in 1919. [11] It is a depiction of the large petals of the exterior of the flower, with focus on the interior through the use of contrasting shades of colors. The painting was made with red, orange, brown, and pink paint. [12]