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The lukewarm reception given that play was, however, nothing compared to the dismal failure of The New Inn; the cold reception given this play prompted Jonson to write a poem condemning his audience (An Ode to Himself), which in turn prompted Thomas Carew, one of the "Tribe of Ben", to respond in a poem that asks Jonson to recognise his own ...
Every Man Out contains an allusion to John Marston's Histriomastix in Act III, scene i, a play that was acted in the autumn of 1599; the clown character Clove speaks "fustian" in mimicry of Marston's style. This is one instance of Jonson's involvement in the War of the Theatres. Scholars have found references to Sir Walter Raleigh and Gabriel ...
On 22 September 1598, Spenser fought a duel with Ben Jonson on Hoxton fields. The cause of the duel is not known. According to Jonson's account, related many years later, Spenser had initiated the duel and had the advantage of a much longer sword. Spenser wounded Jonson in the arm, but Jonson managed to strike back, killing him.
The play was first printed in 1631, as part of a planned second volume of the first 1616 folio collection of Jonson's works, to be published by the bookseller Robert Allot; however, Jonson abandoned the plan when he became dissatisfied with the quality of the typesetting. Copies of the 1631 typecast were circulated, though whether they were ...
Finally, the comic duel between La Foole and Daw is usually seen as an echo of the mock-duel between Viola and Aguecheek in Shakespeare's Twelfth Night. Some more local details are also borrowed from the classical misogynistic tradition. Truewit's speeches condemning marriage borrow from Ovid's Ars Amatoria and Juvenal's Satire VI.
Why here's our fellow Shakespeare puts them all down, I and Ben Jonson too. O that Ben Jonson is a pestilent fellow, he brought up Horace giving the Poets a pill, but our fellow Shakespeare hath given him a purge that made him beray his credit." From the handwritten manuscript of The Return from Parnassus; Or the Scourge of Simony.
All the available evidence indicates that the play was performed by the Lord Chamberlain's Men in 1598 at the Curtain Theatre in Shoreditch, London.That date is given in the play's reprint in Jonson's 1616 folio collection of his works; the text of the play (IV,iv,15) contains an allusion to John Barrose, a Burgundian fencer who challenged all comers that year and was hanged for murder on 10 ...
The first folio collection, The Workes of Benjamin Jonson, treated stage plays as serious works of literature and stood as a precedent for other play collections that followed—notably the First Folio of Shakespeare's plays in 1623, the first Beaumont and Fletcher folio in 1647, and other collections that were important in preserving the ...