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A 19th century carved nut, depicting the mask of Hyottoko. Hyottoko (火男) is a comical Japanese character, portrayed through the use of a mask. His mouth is puckered and skewed to one side. Some masks have different eye sizes between the left and right eyes. He is often wearing a scarf around his head (usually white with blue dots).
These are, however, ateji characters which do not reflect actual etymology. The kanji of 'skill' generally refers to a performer in kabuki theatre. Since the word kabuki is believed to derive from the verb kabuku, meaning 'to lean' or 'to be out of the ordinary', the word kabuki can also be interpreted as 'avant-garde' or 'bizarre' theatre. [2]
Unlike Noh mask s, Kyogen masks are used primarily for non-human characters and comic roles, as most human characters perform unmasked to allow for more expressive facial reactions. Kyōgen Sakusha Professional kabuki playwrights (狂言作者) who emerged during the Genroku period as plays became more complex.
The character of Sukeroku in Sukeroku Yukari no Edo Zakura wears mukimi kuma kumadori, and is the epitome of a handsome kabuki hero attempting to win the love of a high-ranking courtesan. Zare-Guma ( ざれ隈 , "playful" kumadori ) - the style of kumadori used for comic villains; though the kumadori is red, the lines used make the character ...
The convention of wearing black to imply that the wearer is invisible on stage is a central element in bunraku puppet theatre as well. Kuroko will wear white or blue in order to blend in with the background in a scene set, for example, in a snowstorm, or at sea, in which case they are referred to as "Yukigo" (雪衣, snow clad) or "Namigo" (波衣, wave clad) respectively.
The word hannya (般若) is a Japanese phonetic transcription of the Sanskrit word prajñā (प्रज्ञा), meaning 'wisdom'. [6] There are several hypotheses as to why the mask used in Noh, which represents a vengeful spirit expressing female jealousy and resentment, was named hannya. [7]
Onstage, Danjuro Ichikawa, one of the biggest stars of Japan's Kabuki theater, is a virtuoso in switching roles. The 13th man to bear the name Danjuro Ichikawa — which has been passed down ...
Japanese Nanatsumen (七つ面) is a play in the Kabuki repertoire, and one of the celebrated Kabuki Jūhachiban ("Eighteen Great Plays"). The play is known in English as The Seven Masks .