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D-flat minor is usually notated as the enharmonic key of C-sharp minor, as in the second and third measures of Amy Beach's Canticle of the Sun. [1] However, unusually, two of Verdi's most well-known operas, La traviata and Rigoletto, both end in D-flat minor (although written with the five-flat key signature of the parallel major).
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
Claude Debussy's Suite bergamasque does this: in the third movement "Clair de lune" the key shifts from D-flat major to D-flat minor (eight flats) for a few measures but the passage is notated in C-sharp minor (four sharps); the same happens in the final movement, "Passepied", in which a G-sharp major section is written as A-flat major.
Its parallel minor, D-flat minor, is usually replaced by C-sharp minor, since D-flat minor features a B (B-double-flat) in its key signature making it less convenient to use. C-sharp major , the enharmonic equivalent to D-flat major, has seven sharps, whereas D-flat major only has five flats; thus D-flat major is often used as the parallel ...
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
For example, F major and D minor both have one flat in their key signature at B♭; therefore, D minor is the relative minor of F major, and conversely F major is the relative major of D minor. The tonic of the relative minor is the sixth scale degree of the major scale, while the tonic of the relative major is the third degree of the minor ...
The Art of Fugue by Johann Sebastian Bach is in D minor. Michael Haydn's only minor-key symphony, No. 29, is in D minor. According to Alfred Einstein, the history of tuning has led D minor to be associated with counterpoint and chromaticism (for example, the chromatic fourth), and cites Bach's Chromatic Fantasia and Fugue, BWV 903, in D minor. [1]
A musical passage notated as flats. The same passage notated as sharps, requiring fewer canceling natural signs. Sets of notes that involve pitch relationships — scales, key signatures, or intervals, [1] for example — can also be referred to as enharmonic (e.g., the keys of C ♯ major and D ♭ major contain identical pitches and are therefore enharmonic).