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"España cañí" (meaning "Gypsy Spain" in Spanish) is a famous instrumental Spanish piece of pasodoble music by Pascual Marquina Narro (1873–1948). The song was written around 1923 and first recorded in 1926. In English it is also known as the Spanish Gypsy Dance. [1]
"Granada" is a song written in 1932 by Mexican composer Agustín Lara. The song is about the Spanish city of Granada and has become a standard in music repertoire.. The most popular versions are the original with Spanish lyrics by Lara (often sung operatically); a version with English lyrics by Australian lyricist Dorothy Dodd; and instrumental versions in jazz, pop, easy listening, flamenco ...
This is a list of articles describing traditional music styles that incorporate the accordion, alphabetized by assumed region of origin.. Note that immigration has affected many styles: e.g. for the South American styles of traditional music, German and Czech immigrants arrived with accordions (usually button boxes) and the new instruments were incorporated into the local traditional music.
Ezquerro, Antonio; Guerrero, María Cinta (1999), "La música en la Real Colegiata del Santo Sepulcro de Calatayud" [Music in the Royal Collegial Church of the Holy Sepulchre of Calatayud], Revista de Musicología, XXII-2 (2): 11– 52, doi:10.2307/20797602, hdl: 10261/37801, ISSN 0210-1459, JSTOR 20797602
[37] [38] [39] His refined poetic artistry gained respect for the free bass accordion as a serious concert instrument among prominent classical musicians and conductors of the early 20th century. [40] In addition, his Concerto For Free Bass Accordion was completed in 1966 and illustrates the vast orchestral potentialities of the instrument.
The ballet Cotillon (Monte Carlo, 1932) with choreography by George Balanchine uses music by Chabrier: ‘La toilette’ is the Menuet pompeux orchestrated by Vittorio Rieti, and ‘Danse des chapeaux’, ‘Les mains du destin’ and ‘Grand rond’ are, respectively, the Scherzo-valse, Idylle and Danse villageoise in Chabrier’s own ...