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The áo giao lĩnh was influenced from Han Chinese clothing. [1] It is a robe with a wrap collar closing on the right side. The wrap collar closing on the right side is known as jiaoling youren (Chinese: 交領右衽; lit. 'intersecting collar right lapel') in China; garments with this form of wrap collar originated in China and started to be worn at least since the Shang dynasty (c. 1600 BC ...
[8] [9] Some writers even go so far to claim that the term áo dài ("long top/garment") may have been calqued from Chinese terms for Manchu garments, such as the Mandarin changshan/changpao (長衫/長袍, men's "long top/robe") and the Cantonese cheongsam (長衫, women's "long top"), and include these garments in the category of áo dài. [9]
A robe is a loose-fitting outer garment. [1] [2] Unlike garments described as capes or cloaks, robes usually have sleeves. The English word robe derives from Middle English robe ("garment"), borrowed from Old French robe ("booty, spoils"), itself taken from the Frankish word *rouba ("spoils, things stolen, clothes"), and is related to the word ...
[118] [116] Men's attire during the Tang dynasty usually included robes which was worn with trousers, yuanlingpao, belt worn at the waist, futou, and dark leather boots. [ 1 ] [ 34 ] [ 61 ] [ 119 ] The Tang dynasty inherited all the forms of belts which were worn in the Wei, Jin, Northern and Southern dynasties and adopted them in the official ...
Painting of young lady in áo bà ba by Đào Sĩ Chu. Áo bà ba ( Vietnamese: [ʔǎːw ɓâː ɓaː] , translates to "Grandma's shirt") is a traditional southern Vietnamese garment. The top part that covers the torso is called the áo ("shirt" in English).
There are 54 ethnic groups in Vietnam as officially recognized by the Vietnamese government. [1] Each ethnicity has their own unique language, traditions, and culture. The largest ethnic groups are: Kinh 85.32%, Tay 1.92%, Thái 1.89%, Mường 1.51%, Hmong 1.45%, Khmer 1.32%, Nùng 1.13%, Dao 0.93%, Hoa 0.78%, with all others accounting for the remaining 3.7% (2019 census). [2]
Nguyễn Đình Chiểu was born in the southern province of Gia Định, the location of modern Saigon.He was of gentry parentage; his father was a native of Thừa Thiên–Huế, near Huế; but, during his service to the imperial government of Emperor Gia Long, he was posted south to serve under Lê Văn Duyệt, the governor of the south.
Nguyễn Tuân was first a patriot, who expressed a deep love for traditional values and cultural beauties. Having a great appreciation of the Vietnamese language, he admired not only masterpieces from famous authors such as Nguyễn Du, Đoàn Thị Điểm, Tú Xương, Tản Đà..., but also the arts of the common people, like ca trù, a form of theatrical singing of northern Vietnam.