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You could even play this album for your grandmother, something you can't say about much of the rest of the Zorn catalog. Whether you like all his projects or not, John Zorn's output has been of consistently high quality. Lucifer: Book of Angels, Vol. 10 is among the finest offerings in his discography, and a very accessible one at that". [1]
"Book of Angels" (2005–2017) a composition series of 32 albums by John Zorn performed by various artists: For a complete listing, see John Zorn discography#Masada Book Two - The Book of Angels; Book of Angels (Machel Montano album)
John Zorn (born September 2, 1953) is an American composer, conductor, saxophonist, arranger and producer who "deliberately resists category". [1] His avant-garde and experimental approaches to composition and improvisation are inclusive of jazz, rock, Jewish music, hardcore, classical, contemporary, surf, metal, soundtrack, ambient, and world music.
Aguares: Book of Angels Volume 23 (by Roberto Juan Rodríguez, 2014) Amon: Book of Angels Volume 24 (by Klezmerson, 2015) Gomory: Book of Angels Volume 25 (by Mycale, 2015) Cerberus: Book of Angels Volume 26 (by The Spike Orchestra, 2015) Flaga: Book of Angels Volume 27 (by Flaga, 2016) Andras: Book of Angels Volume 28 (by Nova Express Quintet ...
Zaebos: Book of Angels Volume 11 is an album of compositions by John Zorn released in 2008 by experimental jazz fusion trio Medeski Martin & Wood performing compositions from John Zorn's second Masada book, "The Book of Angels" on the Tzadik label. [1] [2]
Tap: Book of Angels Volume 20 is an album by guitarist Pat Metheny performing compositions from John Zorn's Masada Book Two. The album was released simultaneously on Tzadik Records and Nonesuch Records . [ 1 ]
Flaga: Book of Angels Volume 27 is an album by pianist Craig Taborn, bassist Christian McBride and drummer Tyshawn Sorey which was released in 2016 on John Zorn's Tzadik Records as part of the Zorn's Book of Angels Series. [1] [2]
Stereophile's Fred Kaplan stated "Ipos is an oddball in the Zorn oeuvre but instantly and thoroughly appealing. The album’s star is Ribot, strumming and twanging his guitar in a Hawaiian style that sounds more like the hip-retro rock of the Lounge Lizards (no coincidence, as Ribot once played in that group), alternating with quasi-minimalist tunes that, unlike much in the genre, is genuinely ...