Ads
related to: frankenstein 1831 edition full text download pdf
Search results
Results From The WOW.Com Content Network
This is an accepted version of this page This is the latest accepted revision, reviewed on 11 February 2025. 1818 novel by Mary Shelley This article is about the novel by Mary Shelley. For the Monster, see Frankenstein's monster. For other uses, see Frankenstein (disambiguation). Frankenstein; or, The Modern Prometheus Volume I, first edition Author Mary Shelley Language English Genre Gothic ...
Bernie Wrightson's Frankenstein is an illustrated edition of Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus, first published in 1983 by American company Marvel Comics, with full-page illustrations by American artist Bernie Wrightson. In 2008, a new edition was released by Dark Horse Comics for the 25th anniversary.
Richard Rothwell, Mary Shelley, (1839-40) This is a bibliography of works by Mary Shelley (30 August 1797 – 1 February 1851), the British novelist, short story writer, dramatist, essayist, biographer, and travel writer, best known for her Gothic novel Frankenstein: or, The Modern Prometheus (1818). She also edited and promoted the works of her husband, the Romantic poet and philosopher Percy ...
The following other wikis use this file: Usage on en.wikisource.org Wikisource:Proofread of the Month; Index:Frankenstein, or the Modern Prometheus (Revised Edition, 1831).djvu
A picture of the creature appeared in the 1831 edition. Early stage portrayals dressed him in a toga, shaded, along with the monster's skin, a pale blue. Throughout the 19th century, the monster's image remained variable according to the artist.
Frankenstein develops the theme of "necessity" which Shelley wrote about in that poem. It is a philosophical idea of the novel. [5] The review related Frankenstein to Percy Bysshe Shelley's own works: "The environment is an aspect Shelley also emphasises in his preface to the 1818 edition.
Born in Italy, Elizabeth Lavenza was adopted by Victor's family.In the first edition (1818), she is the daughter of Victor's aunt and her Italian husband. After her mother's death, Elizabeth's father—intending to remarry—writes to Victor's father and asks if he and his wife would like to adopt the child and spare her being raised by a stepmother (as Mary Shelley had unhappily been).
The great Gothic wave, which stretches from 1764 with Horace Walpole's The Castle of Otranto to around 1818-1820, features ghosts, castles and terrifying characters; Satanism and the supernatural are favorite subjects; for instance, Ann Radcliffe presents sensitive, persecuted young girls who evolve in a frightening universe where secret doors open onto visions of horror, themes even more ...