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View of the Isenheim Altarpiece, Nikolaus Hagenauer and Matthias Grünewald, c 1512–1516. The Isenheim Altarpiece is an altarpiece sculpted and painted by, respectively, the Germans Nikolaus of Haguenau and Matthias Grünewald in 1512–1516. [1] It is on display at the Unterlinden Museum at Colmar, Alsace, in France. It is Grünewald's ...
From 1512 to 1514 or 1515 he worked on the Isenheim altarpiece, apparently in partnership with another Mathis, variously surnamed Nithart, Neithart, von Würzburg (after his place of birth), or Gothardt. Grünewald seems to have left Isenheim in a hurry, returning to Frankfurt, and his subsequent poverty suggests he was not fully paid for the ...
Three Studies for Figures at the Base of a Crucifixion is a 1944 triptych painted by the Irish-born British artist Francis Bacon. The canvasses are based on the Eumenides —or Furies—of Aeschylus 's Oresteia , and depict three writhing anthropomorphic creatures set against a flat burnt orange background.
Daprile said that in time, crucifixion art such as the Matthias Grünewald altarpiece made between 1516 and 1517 was incorporated into non-church settings such as hospitals in Europe as source of ...
While earlier Northern artists showed Christ rising out of the tomb, but still with his feet on the ground, or the tomb itself, Matthias Grünewald's Isenheim Altarpiece (1505–1516) has a striking composition with Christ hovering in mid-air, which was already common in Italy, for example in a Raphael altarpiece of about 1500 (see gallery) and ...
The Unterlinden Museum (French: Musée Unterlinden) is located in Colmar, in the Alsace region of France. The museum, housed in a 13th-century Dominican religious sisters' convent and a 1906 former public baths building, is home to the Isenheim Altarpiece by the German Renaissance painter Matthias Grünewald and features a large collection of local and international artworks and manufactured ...
Isenheim Altarpiece by Matthias Grünewald (1506–1515) shows scenes of the birth, crucifixion and glory of Christ. The sick would be placed to sleep in front of the image of the crucified Christ, in the hope of healing. Different aspects of the altarpiece would be revealed in different seasons of the year.
The Crucifixion, central panel of the Isenheim Altarpiece by Matthias Grünewald. Dürer died in 1528, before it was clear that the split of the Reformation had become permanent, but his pupils of the following generation were unable to avoid taking sides.