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Ludwig van Beethoven wrote 32 mature piano sonatas between 1795 and 1822. (He also wrote 3 juvenile sonatas at the age of 13 [1] and one unfinished sonata, WoO. 51.)Although originally not intended to be a meaningful whole, as a set they comprise one of the most important collections of works in the history of music. [2]
The second movement is in ternary form (or sonata form without development [4]).It opens with a highly ornamented lyrical theme in 3 4 time in F major (mm. 1–16). This is followed by a more agitated, 5-measure transitional passage in D minor (mm. 17–22) accompanied by quiet parallel thirds, followed by a passage full of thirty-second notes in C major (mm. 23–31). [4]
Violin Sonata No. 1: Scores at the International Music Score Library Project; Performance of Violin Sonata No. 1 by Corey Cerovsek (violin) and Paavali Jumppanen (piano) from the Isabella Stewart Gardner Museum in MP3 format; List of works by Beethoven with dates, keys and internal movement keys including for example that for opus 12/2.
In music, a sonata (/ s ə ˈ n ɑː t ə /; pl. sonate) [a] literally means a piece played as opposed to a cantata (Latin and Italian cantare, "to sing"), a piece sung. [1]: 17 The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance.
It began in January 1932, when the Sonata No. 31 in A ♭ major (Op. 110) was the first to be successfully recorded. [8] The final recordings were made in November 1935, and the project culminated with Sonata No. 25 in G major (Op. 79). [9] The Beethoven Society began distributing Schnabel's recordings in March 1932, issuing 12 volumes through ...
The musical ideas are individualized in this sonata, where the strongest emotions are expressed. In the conception of the time, the key of F minor is perceived as severe and passionate, and Beethoven would return to this character later, especially in the Sonatas Op. 2 No. 1 and Op. 57.
String Trio No. 2 (1960) Sonata No. 2 for violin and piano (1961) Sonata No. 3 for violin and piano (1963) Sonatina No. 1 for violin and piano (1962) Sonatina No. 2 for violin and piano (1962) Suite for 2 violas (1963) Trio for clarinet, cello and piano (1963) Sonata for three violin parts (1965) String Trio No. 3 (1966) Trio for clarinet ...
Beethoven's compositional choice of a rondo finale comes from the Classical sonata form. [4] The music begins in the piano, and the cello enters on a playful counter-melody in measure twelve, [2] [8] and the two instruments pass arpeggiated and scalar figures back and forth. [4]