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The term tsumgi is broadly used to describe many types of casual woven kimono, even if they do not use tsumugi silk. One of the most famous examples is Ōshima-tsumugi, which though is considered a tsumugi is not made with tsumugi thread. [10] Additionally, cotton kimono with fine kasuri patterns are considered to be tsumugi.
They are often as beautifully ornate and patterned as the outer kimono. Since men's kimono are usually fairly subdued in pattern and colour, the nagajuban allows for discreetly wearing very striking designs and colours. [6]: 32–46 Nemaki A unisex cotton robe resembling a yukata, but with tube-shaped sleeves.
Ōshima-tsumugi kimono are hugely valued for their detailed kasuri patterns and deep black color. They are known as one of the most expensive silk fabrics in Japan. [ 6 ] The cheapest piece costs about 300,000 yen per bolt, or tanmono, and the highest quality costs several million yen.
The first instances of kimono-like garments in Japan were traditional Chinese clothing introduced to Japan via Chinese envoys in the Kofun period (300–538 CE; the first part of the Yamato period), through immigration between the two countries and envoys to the Tang dynasty court leading to Chinese styles of dress, appearance, and culture becoming extremely popular in Japanese court society. [1]
Hakama are worn with any type of kimono except yukata [2] (light cotton summer kimono generally worn for relaxing, for sleeping or at festivals or summer outings). While glossy black-and-white striped sendaihira hakama are usually worn with formal kimono, stripes in colours other than black, grey and white are worn with less formal wear.
Despite the introduction of Western dress, the kimono did not quickly fossilise as an object of tradition worn out of obligation by women and those unable to afford Western clothing; advertisements within Japan up until the 1940s display both the kimono and Western dress as items of fashionable wear, suggesting a more parallel evolution of the ...
Detail of a mid-19th century kimono decorated using sashiko, with white cotton threads on an indigo-dyed plain weave background (Metropolitan Museum of Art) Child's sleeping mat (boro shikimono), late 1800s. The stitches are decorative, but also functional; they hold the pieced cotton rags together
Also called a morning gown, robe de chambre or nightgown, the banyan was a loose, T-shaped gown or kimono-like garment, made of cotton, linen, or silk and worn at home as a sort of dressing gown or informal coat over the shirt and breeches. The typical banyan was cut en chemise, with the sleeves and body cut as one piece.