Search results
Results From The WOW.Com Content Network
The Art of 16 Bars: Get Ya' Bars Up: 2006 Pick Up the Mic: Rock the Bells: 2007 1 More Hit: Notorious B.I.G. Bigger Than Life: 2008 Street Bangaz: Big Pun: The Legacy: 2010 Wu Tang Saga: Mics on Fire: 2012 The Sunset Strip: 2013 Dirty: Platinum Edition: 2015 Stretch and Bobbito: Radio That Changed Lives: 2016 Check the Rhyme: 2021 Mary J. Blige ...
The Art of 16 Bars: Get Ya' Bars Up: himself 2005 Zoom Prout Prout: himself 2006 A Letter to the President: himself 2007 Bomb It: himself 2008 The Obama Deception: himself 2009 Good Hair: himself 2011 Rhyme and Punishment: narrator 2011 GhettoPhysics: himself 2012 Something from Nothing: The Art of Rap: himself 2012 Hidden Colors: himself 2014 ...
Instead of extending the first section, one adaptation extends the third section. Here, the twelve-bar progression's last dominant, subdominant, and tonic chords (bars 9, 10, and 11–12, respectively) are doubled in length, becoming the sixteen-bar progression's 9th–10th, 11th–12th, and 13th–16th bars, [citation needed]
The debut recording with Ethel Waters was recorded on Black Swan Records (1921) and rapidly became a hit. Her rendition features the rarely-heard 6-bar instrumental intro, [b] followed by her singing the 1st verse (16 bars, plus 1), then her singing the 1st chorus (16 bars, plus 2), then instruments playing 8, plus 2 bars of the chorus, finishing with her singing the 1st chorus (16 bars, plus 2).
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
Reality Check is the seventh studio album by American rapper Juvenile.The album was released on March 7, 2006, by UTP Records and Atlantic Records. [11] The album features guest appearances from Paul Wall, Mike Jones, Fat Joe and Ludacris, among others.
[4] Despite this review, "Too Hot to Stop" is considered by funk fans to be one of the very best Bar-Kays albums. Its content caused George Clinton , leader of Parliament-Funkadelic , to invite the Bar-Kays to be one of the opening acts on his band's legendary 1976-77 P-Funk Earth Tour .
The Calgary Herald wrote that "one or two tunes sound interesting (the album has a Steely Dan-like studio polish to it), but nothing holds up to even cursory scrutiny." [10] The Sun-Sentinel opined that "though the band still packs a tremendous one-two punch with its rich mix of country rock and blues, the crackle that marked Let it Roll, as well as previous releases, is nowhere to be found."