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Sonnet 153 and 154 are used as a statement to address the conflict within the love triangle. The Dark Lady is the object of desire from sonnet 127 to 152. The sonnets revolve around the love triangle between the poet and the Dark Lady who is in love with the young man. The young man maybe pursued by the poet also.
Sonnet 147 is an English or Shakespearean sonnet.The English sonnet has three quatrains, followed by a final rhyming couplet.It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions.
Sonnet 109 is an English or Shakespearean sonnet.The English sonnet has three quatrains, followed by a final rhyming couplet.It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions.
But in the opinion of Lord Byron sonnets were “the most puling, petrifying, stupidly platonic compositions”, [2] at least as a vehicle for love poetry, and he wrote no more than five. John Clare, whose early published poetry falls within this period, is a special case.
Experts explain unrequited love, a relationship dynamic where one person cares more for the other, and break down how to address and get over unrequited love.
Unrequited love has long been depicted as noble, an unselfish and stoic willingness to accept suffering. Literary and artistic depictions of unrequited love may depend on assumptions of social distance that have less relevance in western, democratic societies with relatively high social mobility and less rigid codes of sexual fidelity.
The poem suggests a parallel to Vulcan, Venus and Mars from Roman mythology. [6] "Anteros" (French: Antéros). Anteros, the brother of Eros and god of unrequited love, addresses the philosopher Iamblichus about the nature of torment and rage.
In the sonnets addressed towards the young man, such as sonnet 87, there is a lack of explicit sexual imagery which is prominent in the sonnets addressed towards the dark lady. This, as Pequigney claims, is further proof "that nothing sexually amiss is to be found in the lyrics of that Shakespeare composed for the youth."